
An advertisement for NDTV’s business channel Profit, appearing in the latest issues of the newsweeklies.
the news. the views. the juice.

An advertisement for NDTV’s business channel Profit, appearing in the latest issues of the newsweeklies.

An advertisement for the Hindi news channel, IBN7, owned by Raghav Bahl’s Network 18, appearing in the latest issue of the Brand Reporter.
“IBN continues to dominate the Hindi news space in the prime-time slot of 9 pm as its flagship news bulletin Dante ki chot par becomes No. 1 across all Hindi channels, during all the time bands.”
TAM rating for IBN 7 in week 22 (May 24-30): 0.68
TAM rating for Aaj Tak in week 22 (May 24-30): 0.68
Also reasd: Never let facts come in the way of a good story
The Ramnath Goenka Memorial Foundation, named after the founder of the Indian Express group, is inviting entries for the 2009 India Press Photo awards for excellence in photo journalism.
There are five prizes on offer. The picture of the year will get Rs 1.5 lakh, and the best pictures for spot news, general news, sports, and arts and entertainment, will respectively receive Rs 1 lakh each.
The last date for submission of entries is 31 August 2009.
Log on to www.expressindia.com/ippa for further details.
Email: indiapressphoto@expressindia.com
Snailmail: Ramnath Goenka Memorial Foundation, Express Building, 9 & 10, Bahadur Shah Zafar Marg, New Delhi – 110002
Also read: 2008 India press photo award winning picture
Shooting the messenger is the world’s favourite hobby. So, the media is roundly berated by media consumers as the harbinger of bad news. Media personnel have been termed by critics as the “nattering nabobs of negativism“.
We suck the warm, positive air out of this wonderful world the rest of humankind inhabits. We separate the wheat from the chaff, and print the chaff. We lead if it bleeds. We make up, we steal, we distort, we spin, we sin. Etcetera.
Well….
Well, it turns out, the criticism is not just not new but a lousy cliche.
At a seminar on the “Significance of Spiritual Journalism”, held under the auspices of Viveka Prabha, the monthly magazine published by the Sri Ramakrishna Mission, Mysore, the president of the Cuddapah mission, Swami Atmavidanandaji, showed just why.
Reports the English eveninger, Star of Mysore:
“Scribes tend to underplay the truth and highlight the negative aspects of the news to gain popularity. That creates a false picture of any incident giving wrong information to the readers.
“Once Sri Ramakrishna Paramahamsa visited a friend’s house and he was asked to sit on a bench where there was a newspaper lying on it.
“Paramahamsa asked his disciple to remove the newspaper and clean that bench with holy Ganga water.
“Asked for the reason, Paramahamsa said that the newspaper carried only bad and negative news. Therefore, it was necessary to clean the bench and then only sit on it.”
After narrating the incident, Swami Atmavidanandaji, reports the paper, called upon the journalists to imbibe spiritualism in their approach and writings to come out with “true-to-life” news.
***
Now, how “true-to-life” could this anecdote be?
Ramakrishna Paramahamsa lived from 1836-1886. None of the pictures show him holding or reading a newspaper. How likely is it that in the home of a devotee at least 120 years ago, a friend would have subscribed to a newspaper? Even if he did, were newspapers already in the sordid business of distorting the truth and spreading negative news?
Were all Bengali and English newspapers indulging in scurrilous journalism back then? On every page, every day, everywhere? Or was there a specific story that day that the Swami was aware of? If it was the latter, wasn’t Paramahamsa guilty of branding all newspapers as bad and negative?
And what precisely is “bad”?
How did Paramahamsa know that the disciple had holy Ganga water at home to be produced at that very moment? How was he sure that its miraculous powers extended to wiping the sins committed by newspapers and journalists? Would it work only for all-seeing him, or for the disciple too?
And did he get the holy water and did it work?
Encyclopaedia Britannica reports that “it was about this time [1880s] that Calcutta newspapers and journal articles first referred to Ramakrishna as the Hindu saint or as the Paramahamsa.” Did Paramahamsa express his scepticism of these labels being given to him by “bad and negative” newspapers?
All these are silly, trivial questions, of course, but that is the essence of journalism, asking silly questions and putting “the truth” to the test. As the old saying goes: there is nothing called a silly question, only silly answers. And “Spiritual Journalism” by its very definition is an oxymoron; either it can be spiritual or it can be journalism.
In other words, where specifically has this wondrous story of Sri Ramakrishna Paramahamsa on newspapers been recorded and reported? And by which journalist, writer, biographer?
Tell us another, O Spritual One, and stick to the facts.
Or shift to journalism.
The press in India, like the press elsewhere, holds on to the belief that it is the Fourth Estate of democracy, after the legislature, the executive and the judiciary, although the press in India, as much as the press elsewhere, finds its institutional and individual integrity increasingly under question.
In an article on the Open Page of The Hindu, Radheer Mahendrakar uses the results of the recent general elections to argue that the people are the real Fourth Estate, acting as a more effective countervailing force than the press, especially when they perceive a threat to democracy.
Mahendrakar says the collective wisdom of the people—the “miracle of aggregation“—showed up when Indira Gandhi clamped the Emergency, when V.P. Singh indulged in social re-engineering, when the BJP made religion an electoral platform through Hindutva, and when regionalism threatened to get ahead of nationalism.
“For generations, we have accepted the ‘press’ as a vital element of democracy….
“In politics, it is fair to say that the Indian voter is the Fourth Estate representing a counterbalance to the political parties of different ideologies—the left, right and centre. Time and again, the Indian voter has drawn the contours of do and don’ts in politics and chastened the parties when our democracy showed signs of dilution.”
Implicit in the point is the suggestion that a profit-hungry media in its quest for eyeballs and bottomlines, has forgotten, abandoned or is ignoring some of its fundamental duties. In other words, despite the press, the people as a group seem to be able to reach a decision that is very likely the correct decision.
Read the full article: How the miracle of aggregation works
Raju Narisetti, the former editor of Mint, the business daily launched by the Hindustan Times group, who is now one of the managing editors at the Washington Post, has given an interview to the latest issue of the Indian edition of Forbes.
Question: How do you rate the quality of journalism practised here in India?
Answer: Good journalists by instinct but poor journalism because of practices, weak institutions, zero standards and ethics enforcement–voluntary or otherwise. Many business journalists want to be part of the business establishment or be close to it. That results in journalism that isn’t about readers. Even the best–and there are just one or two such institutions–journalism schools are not graduating grounded journalists. That will be the soft spot of India journalism for some time to come.
Read the full interview here: A fresh-mint way
Also read: Pseudonymous author spells finis to Mint editor?
Conflict of interest and an interest in conflicts?
Vir Sanghvi lashes out at Mint ‘censorship’
Link courtesy Shobha Sarada Viswanathan
Any journalist who says she doesn’t want to write a book is a liar—or no journalist. While most journos think they have a book in them, few actually manage to put it between the covers.
Canadian journalist Rod McQueen, who has written 12 non-fiction books in the last 25 years, has a surefire recipe for the procrastinators.
“Write 500 words a day and by the end of a year you’ll have enough for a book. It’s that simple. And that difficult.”
McQueen has more advice: choose your topic carefully; start writing immediately; check out secondary sources, do database searches, prowl libraries; and make contact with at least one person who can help.
Read the full prescription: Beat reporter to author


The reverberations of Amitabh Bachchan’s blog comments on the Academy Award-winning movie Slumdog Millionaire are now being felt in the “cesspool” of Indian journalism.
In his reaction to the movie, Bachchan wrote in January:
“If SM projects India as [a] third-world, dirty, underbelly developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky underbelly exists and thrives even in the most developed nations.”
That prompted a column in The Times of India by its in-house satirist Jug Suraiya on March 2.
Suraiya wrote that the reason people like Bachchan were angry with SM was not because it showed the world how pitifully poor India was, but because it revealed how culpable all of us were in the “continuance of poverty”.
“The real Slumdog divide is not between the haves and the have-nots; it’s between the hopers and the hope-nots: those who hope to cure the disease of poverty by first of all recognising its reality, and those who, dismissing it as a hopeless case, would bury it alive by pretending it didn’t exist.”
All very harmless, boilerplate stuff, but a month later, on April 3, Bachchan chose to respond to Suraiya with a long rejoinder that attacked the journalist.
“I accuse the journalist Jug Suraiya of failing his professional ethical code of conduct by means of wilful error in the collection of facts…. He should be thoroughly ashamed of himself, not only as a professional journalist, but as a human being too. Mere opinion and ill-supported prejudice are contemptible in both species.
“My blog did not ’spark off the current round of controversy on India’s poverty’… Nor am I ashamed of anything about my country. I may be highly critical in judgement, as any citizen of any nation should be, of the society to which I hold allegiance. In this light, I do not find that material poverty in India is ‘a terrible family secret’ as Jug Suraiya alleges.”
Now, Suriaya has hit back in the latest issue of Magna Carta, the in-house newsletter of the Magna group of publications, which had carried Bachchan’s rejoinder.
(Magna owns the movie magazine Stardust, which led a 15-year-long boycott of Bachchan at the prime of his career.)
In a letter addressed to the Magna group’s proprietor Nari Hira, Jug Suraiya writes:
“The newsletter said there was an ‘eerie silence’ from the press to Bachchan’s rejoinder. This is not quite true. The Guardian newspaper, which Bachchan had cited along with my column, has I am told done a detialed rejoinder to his rejoinder.
“In my case, I did not choose so much to maintain an ‘eerie silence’ as to exercise my option of fastidious disdain: I hold Bachchan beneath my contempt and shall not dignify him with an answer to his rantings (which, I am told, are written for him by an ex-journalist hack).”
Suraiya recounts meeting Bachchan years ago in Calcutta. He says he greatly enjoyed his performances and complimented him on them.
“Since then, of course, he has become an international celebrity who uses his iconic status to endose any and all products from gutka paan masala to cement, cars to suiting. There is a word for such indiscriminate commercial promiscuity. I leave it to you to figure out what it is.
“This together with his much-publicised ritualised religiosity makes him an object of scorn for me, all the more so in that he is, regettably, a role model for so many people of all ages, in India and elsewhere.”
Photograph: courtesy The Times of India

Journalists marrying movie stars and celebrities is not unheard-of but is not routine.
The editor of San Francisco Chronicle Phil Bronstein did a stint as Mr Sharon Stone, and various Hollywood flicks (think Roman Holiday) have also immortalised celluloid romances between hacks and bold-faced name.
But generally the scrappy job and miserable pay, not to speak of curmudgeonly faces, have rendered journalists unmarketable on the romance/ marriage market.
“Not tonight, darling, I have a deadline.”
Take a bow, Che Kurien.
The editor of the Indian edition of the men’s magazine GQ is rumoured to have tied the knot with the starlet Antara Mali. Antara, the daughter of the film photographer Jagadish Mali, was the muse of the Bollywood movie maker Ram Gopal Varma.
Kurien was earlier with Reuters, Time Out and the Indian Express.
Photographs: courtesy photobucket (top); Campaign India