Archive for the 'Art' Category

The house that Raj Rewal built for a TOI editor

9 June 2014

sham lal

The national gallery of modern art (NGMA) in the capital is playing host to an exhibition by the architect Raj Rewal. And among the many works on display is Rewal’s design for the residence of the former editor of The Times of India, Sham Lal in New Delhi’s Gulmohar Park area.

A true man of letters, Mr Sham Lal wrote a weekly editorial-page column titled “Life and Letters”.

When T.N. Shanbag the owner of Strand Book  Stall in Bombay passed away, Namita Devidayal wrote in The Times of India:

“There was a time when the senior editors of The Times of India would go to Strand after lunch, browse and catch up with Shanbhag, and then stroll back through the arched arcades of Dadabhoy Naoroji Road, as part of their daily constitutional.

“‘Sham Lal’s wife hated me because he spent all his time and money on books,’ Mr Shanbhag used to joke about the former Times editor.

In her book on The Times, Bachi Karkaria wrote:

When Sham Lal retired, the newsroom (which he had never stepped into) gave him a farewell. It was held in the 6th floor canteen where the aam janata, not ‘invited’ to the august directors’ lunch room, ate.

Sham Lal was seldom seen in the latter, so he probably did not even known of the existence of the former. He was escorted up in the lift and into the huge hall. News editor, chief reporter, subs, peons, all sung his fulsome (sic) praises. The quiet but universally admired editor was presented ‘floral tributes’ and a salver.

Then the master of ceremonies grandly announced, ‘Now Mr Sham Lal will give a speech.’ Sham Lal slowly shuffled to his feet, cleared his throat, and as the packed hall waited in anticipation for an outpouring of enlightenment from the man who had attained intellectual nirvana, he merely said, ‘Thank you’. Then he went back to his chair and sat down….

At a party in Mumbai, Sham Lal was cornered by a large, garrulous American woman. After a 15-minute monologue, she stopped mid-flow and asked, “Am I boring you?” and Sham Lal replied with extreme and genuine courtesy, “Yes I am afraid you are.”

An epitome of an ivory-tower editor, Mr Sham Lal was once famously accosted in the ToI corridors by a studious looking young man as he stepped out.

“Who are you?” he is said to have asked the young man.

“Sir, I am your assistant editor.”

Also read: Man who educated Bombay journalists is dead

Khalid Mohamed on Sham Lal

The quasquicentennial of ‘Malayala Manorama’

13 March 2014

mm1

Malayala Manorama, once India’s largest selling newspaper before being overtaken by Dainik Jagran and The Times of India, has just completed the valedictory of its quasquicentennial celebrations.

Above is the first issue of the paper, which began as a weekly, published on March 22, 1888.

Below is the March 13, 2014 issue, which captures prime minister Manmohan Singh lighting the ceremonial lamp at the valedictory of the 125th anniversary in Delhi, with the paper’s chief editor Mammen Mathew at extreme right and executive editor Jacob Mathew, second from left.

Below is Ajit Ninan‘s magnificent cartoon of INS Manorama, with all the group’s (mostly bespectacled) captains, stewards, boatswains, navigators, and satellite systems, in position.

Also read: K.M. Mathew, chief editor of Malayala Manorama, RIP

A Spanish hand behind a Malayalam newspaper

The dodransbicentennial of The Times of India

In new law mag, Sunanda Pushkar post-death pix

11 March 2014

There’s a new magazine on your news stand: India Legal.

The 84-page magazine, priced at Rs 100, and edited by former India Today executive editor Inderjit Badhwar is published out of Delhi.

Writes Badhwar in the editorial of the launch issue:

“The thrust of our magazine—as should be the endeavour of all competent news journalism—is a mix of investigations, trends, breaking stories, thought-inspiring features, fresh information, views and insight.

“Where we depart from the ordinary is with the realization of a new paradigm: that a breaking story usually involves a powerful legal angle. And here is where we break from the crowd in order to offer a stimulating and useful reading experience.

“Yet, the magazine is not a handbook or a legal digest for special interest reading. All of India Legal‘s stories and articles revolve on a recurring spin: they are reported, written and presented within the legal framework that drives them.”

Accordingly, the cover story of the launch issue is built around former Tehelka editor Tarun J. Tejpal‘s incarceration. An exclusive inside touts six pictures of injuries on minister Shashi Tharoor‘s wife Sunanda Pushkar ‘s body after she was found dead.

Read the issue online: India Legal

Nude picture that landed Sports World in trouble

8 February 2014

SPORTSWORLD

The cover image of the now-defunct Sports World magazine, from the Ananda Bazaar Patrika group,  which landed the Calcutta-based media house in a protracted 21-year legal case that ended this week.

The image of tennis star Boris Becker covering the breasts of his then fiancee Barbara Feltus with his hands, had been reproduced from the German magazine Stern along with an accompanying article on the racist abuse they were facing over their relationship.

The intro on the cover clearly said:

“Posing nude, dropping out of tournaments, battling racism in Germany, Boris Becker explains his recent approach to life”

But a Calcutta advocate filed a case of obscenity against Aveek Sarkar, chief editor of ABP, under section 292 of the Indian penal code and indecent representation of women (prohibition) act.

Sarkar moved the Supreme Court in 2004 after the Calcutta decline to interfere.

A two-judge bench ruled this week that a picture or article can be deemed obscene only if it lascivious, appeals to prurient interests and tends to deprave and corrupt those likely to read, see or hear it.

“A picture of a nude/semi-nude woman… cannot per se be called obscene….

“Only those sex-related materials which have a tendency of ‘exciting lustful thoughts’ can be held to be obscene, but the obscenity has to be judged from the point of view of an average person, by applying contemporary community standard(s).

“Applying the community tolerance test, we are not prepared to say such a photograph is suggestive of depraved minds and designed to excite sexual passion… which would depend upon the particular posture and background.

“Further, the photograph, in our view, has no tendency to deprave or corrupt the minds of people in whose hands the magazine… would fall.

““Boris Becker himself puts it, as quoted in the said article: ‘The nude photos were supposed to shock, no doubt about it…. What I am saying with these photos is that an inter-racial relationship is okay’.

“We should, therefore, appreciate the photograph and the article in the light of the message it wants to convey, that is to eradicate the evil of racism and apartheid… and to promote love and marriage between a white-skinned man and a black-skinned woman.”

Image: courtesy The Telegraph

Read the full article: Message rider to ‘smut’

Also read: Poonam Pandey, Sachin Tendulkar & The Telegraph

TOI, Narendra Modi, and balls for Swami Vivekananda 

The newspaper cartoon that offended Christians

Newspaper cartoon that’s offending Israelis

Newspaper cartoon that’s offending Aussies

Hindu Business Line redesigned by Aurobind Patel

24 January 2014

bl

In its 20th year of publication, Business Line, the business daily from The Hindu stable, has gone in for a relaunch, accompanied by a redesign.

In the image above are the front pages of the paper the day before (left) the new design (right) was unveiled on Thursday, January 23.

Writes BL editor Mukund Padmanabhan in the first issue of the relaunched paper:

“The new look, created by one of the country’s finest designers, Aurobind Patel, achieves the extremely difficult task of showcasing content without screaming or attention-grabbing gimmickry.

“Starting with the careful selection of fonts and the colour palette, attention has been paid to the smallest detail to give you a design that is exquisite in its simplicity and its elegance. The effort has been to resolve the traditional conflict between content and design by fusing them into an integrated and harmonious whole.”

For the record, Aurobind Patel designed the original India Today and was design director of The Economist, London, before returning to India. He redesigned the Economic & Political Weekly (EPW) two years ago.

The earlier Business Line was designed by Mario Garcia.

***

Also readAnother boiler-plate redesign from Mario Garcia

Good heavens, another Mario Garcia redesign

Yet another paper redesigned by Mario Garcia

How come Mario Garcia didn’t redesign this one?

Finally, a redesign not done by Mario Garcia

The Hindu redesign was a mishmash, an eyesore’

A front-page with two mastheads for two jewels

17 November 2013

vbhat

How should a Bangalore newspaper deal with the nation’s highest civilian honour, the Bharat Ratna, being bestowed on two individuals on the same day, one of them a much-loved cricket icon, the other a homegrown Bangalore scientist?

Kannada Prabha, the Kannada daily edited by Vishweshwar Bhat, deals with the dilemma by producing a front-page with two front pages and two mastheads but the same headline: one half for Sachin Tendulkar, and the other half for C.N.R. Rao.

Also read: Kannada Prabha uses reader-generated headlines

‘The Hindu redesign was a mishmash, an eyesore’

8 November 2013

The Spanish designer Mario Garcia (in picture, right), who redesigned The Hindu eight years ago before it was “abandoned” by Siddharth Vardarajan upon his appointment as editor, has opened a dialogue with the Madras-based paper now that the 2005 redesign has been restored following the return of the “family” to the helm.

Garcia, who is reputed to have designed hundreds of newspapers around the world, writes that he couldn’t recall any previous instance where a design was resurrected similarly.

“The true test of editorial design is its sustainability and longevity.”

hinduo

On his blog, Garcia, who redesigned The Hindu with Jan Kny,  says that rather than respond to individual queries from designers, friends and acquaintances on the paper’s return to his design from Deepak Harichandan‘s “chic design” under Varadarajan, he entered into a dialogue with the Hindu family.

Their responses:

N. Ram, chairman, Kasturi & Sons: “It’s great to have you back at The Hindu through the return of your pure design after an embarrassing period of eclectic, free-for-all experimentation, which brought ‘clutter and chaos’ (and mishmash) to the pages and was, net, an eye-sore (fortunately, it lasted only a couple of years).”

N. Murali, co-chairman, KSL: “The changeover to your original design is also a metaphor for the journalistic values for which The Hindu was renowned, returning to the iconic newspaper.”

N. Ravi, editor-in-chief, The Hindu:  “The decision to return to the pure, classic look that you had brought to The Hindu was easy and obvious and has given us all immense satisfaction. Your pure design had served us admirably since it was adopted in 2005 and had won wide appreciation from readers.  In the last two years, there had been a gradual but noticeable departure from the design and four months ago, new elements and colours that were totally out of line with the concepts and look that you had introduced were introduced.  In the result, the pages looked mangled and chaotic and the newspaper had lost its distinctive character.  The mix of colours introduced was far removed from your palette and made the pages garish.  Designers and page layout editors did not have definite design templates to work on and it became a free for all.  Navigating the content became very difficult, and instead of maintaining the content-related hierarchy on the pages, stories that offered more play for design elements dominated. It was after a hard look at this distortion of the design that we decided to restore your pure design.

“As for the reactions of readers, many had complained before the restoration of your design that The Hindu had lost its distinctive character and was beginning to look like the other newspapers around. After the change, there has been a general and widespread appreciation, with one long time reader saying that it was once again The Hindu that he had admired and enjoyed. The neat, classic look with a well-defined hierarchy and easy navigation as well as the use of your distinctive, classic colour palette are the specific features that have won appreciation.”

Photograph: courtesy The Hindu Business Line

Also read: In family-owned paper, only furniture is fixed

The Hindu issue is more complex than you think’

Hindu‘ family chucks out ‘professional’ redesign

N. Ravi: ‘The Hindu situation had become irremediable’

***

Another boiler-plate redesign from Mario Garcia

Good heavens, another Mario Garcia redesign

Yet another paper redesigned by Mario Garcia

How come Mario Garcia didn’t redesign this one?

Finally, a redesign not done by Mario Garcia

How Palghat gave birth to cartooning gharana

4 November 2013

palghat

Palghat, or Palakkad, in Kerala is famous, as the former chief election commissioner T.N. Seshan once said, for “cooks, crooks, civil servants”.

And Carnatic musicians.

And cartoonists.

The landlocked town with exactly two landmarks has produced four top-class political cartoonists for New Delhi’s newspapers: P.K.S. Kutty, O.V. Vijayan, Ravi Shankar, and E.P. Unny.

In the Indian Express magazine supplement Eye, Unny writes about the common muse for cartoonists from the “Palghat gharana“:

“Warmer than the rest of Kerala, the beach-less Palakkad isn’t visibly touristy. Nature, however, made up by putting us in the big gap in the Western Ghats — a land port that facilitated much movement, including full-scale invasions.

“First, by the Sultans of Mysore and close on their heels, the British. Hyder Ali’s engineer built a fort here and the Brits a college. Between the two landmarks (there isn’t a third), the municipal town lay neatly bracketed.

“Our world was a low-rise sprawl in parenthesis. No scenic backwaters and stuff. True, we didn’t have to look far for paddy fields but the stretch never seemed quite as green as it turned out in photographs. We have a river as well, nudging the Tamil Brahmin settlement in Kalpathy but the poets have the first lien on it.

“Under such visually-deprived circumstances, you couldn’t doodle your way to a finer art than cartooning. Even as cartoonists go, the Palakkad gharana tended to be sparse. Kutty trained with Shankar, a master who crafted at length, but quickly switched to a workaday functional style.

“Vijayan betrayed no sense of place. His characters floated in a political space that turned increasingly sombre — against a broad dark backdrop, he created with a khadi cloth dipped in Indian ink. Acerbic wit delivered with a Gandhian flourish. Ravi Shankar, Vijayan’s nephew, has an eye for the minutiae, as yet unexplored.”

Image: courtesy CD and LP

Read the full article: The homecoming cartoonist

MUST READ: Shankar’s Weekly final editorial

‘Hindu family’ chucks out ‘professional’ redesign

25 October 2013

hindu

Four days after The Hindu board summarily decided to pause its ongoing “professionalisation” process, the Mount Road Mahavishnu has reverted to its previous design, as promised by chairman N. Ram in a tweet (below).

On the left (top) is the October 21 issue, the last with Varadarajan at the helm, and on the right is the October 24 issue with editor-in-chief N. Ravi back in the editorial saddle.

Very little of Deepak Harichandan‘s “chic new design” is left in the new “old” paper, which was designed by India’s favourite Spanish designer, Mario Garcia after Ram’s return as editor.

The banner-panels are gone; the story slugs are gone; the “Short Takes” on the left have shifted to the right as “Briefly”; the font of the lead story is back to the past; the emblematic blue colour for story jumps gives way to beige, etc.

Only the tagline “India’s National Newspaper since 1878″ remains, although its colour too has changed from blue to red.

***

deepak Like all redesigns, Harichandan’s visualisation for The Hindu—a “pastiche‘ of The Times of India and The New Indian Express, where he had worked—had its fans and foes, amongst journalists within The Hindu and, more importantly, readers.

While the younger lot said it was the way to go if it had to catch up with the times, the “old school” squirmed at design taking precedence over text, while older readers complained of how difficult it was to navigate through the paper and virtually impossible to read the graphics.

Photograph: courtesy newspaper design

Also read: The great grandmother of all newspaper battles

Another boiler-plate redesign from Mario Garcia

Good heavens, another Mario Garcia redesign

Yet another paper redesigned by Mario Garcia

How come Mario Garcia didn’t redesign this one?

Finally, a redesign not done by Mario Garcia

When an editor draws a cartoon, it’s news

13 September 2013

MJ

Indian print editors have done book reviews (Sham Lal, Times of India), film reviews (Vinod Mehta, Debonair), food reviews (Vir Sanghvi, Hindustan Times), music reviews (Chandan Mitra, TOI, Pioneer, The Sunday Observer; Sanjoy Narayan, Hindustan Times), elephant polo reviews (Suman Dubey, India Today) etc, but few have done cartoons.

When The Telegraph, Calcutta, was launched Pritish Nandy (who later became the editor of The Illustrated Weekly of India) would do a daily, front-page pocket cartoon, with Mukul Sharma (who later became the editor of Science Today) writing the caption, and vice-versa.

Even today, former Statesman and Indian Express editor S. Nihal Singh is a happy doodler.

In the latest issue of Open magazine, its editor Manu Joseph (who has set crossword puzzles at his previous port of calling, Outlook) puts his signature on a cartoon. Let the record show that “Pope” Joseph‘s handwriting bears a close similarity with Dr Hemant Morporia, the radiologist who draws cartoons.

Also read: If The Economist looks at Tamil News, it’s news

When a stringer beats up a reporter, it’s news

When the gang of four meets at IIC, it’s news

When a politician weds a journalist, it’s news

When a magazine editor marries a starlet, it’s news

When dog bites dog, it’s news—I

When dog bites dog, it’s news—II

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