Posts Tagged ‘ABP’

How Business World got its fortnightly look

25 February 2013

new-look-pu

Business World is out in a new avatar with a new periodicity.

In the first issue of the relaunched magazine, Fortune India art director Nilanjan Das and deputy art director Sanjay Piplani explain how they came up with the new design for the ABP group’s original business magazine.

The Grid: We live in an integrated world. We access content across media, platforms and screens. So we reassessed the grid — the intersecting lines that form the structure of a layout — to make the magazine a visual as well as literary delight, while maintaining fluidity across pages. Now, there is more white space, and images come out stronger and sharper.

The Fonts: A magazine’s character largely depends on typography. So we scoured 300 fonts to find the ones that were smart and elegant, so essential for a business publication. We selected 25 — 15 serif and 10 sans-serif fonts. Mixing and matching them on page, we cherry-picked three sans-serif and two serif fonts. And, we tried to challenge traditional styles of section heads and drop caps by making them bigger and bolder.

The Palette: Business persons are a dynamic herd. So should the media they engage with. There should be myriad colours; in all hues and tints. BW’s colour palette offers just that — a wide range of bright, warm, cool and elegant shades. We assembled the new palette with the intention of giving the pages a fresh, distinctive and powerful look, vis-à-vis our peers.

Also read: Business World to go fortnightly from weekly

‘Businessworld’ to go fortnightly from weekly

8 February 2013

image_gallery

What goes around, comes around. Fourteen years after it went weekly, India’s second oldest business magazine, Businessworld from the Anand Bazaar Patrika group, is reverting to a fortnightly.

In a note to readers in the last issue of its weekly avatar, editor Prosenjit Datta explains why:

In 1999, when we had turned weekly, there was a very clear need to do so.

Twitter did not exist, and the Internet contained largely static content when it came to news. There was just one business news channel and it focused mostly on stocks. Most of the newspapers concentrated on news, and not analysis.

There was a great need for a business newsweekly…. a weekly publication that could analyse in detail the implications of the events taking place.

Over time though, the world changed and so did BW’s core content. As the Internet matured, and more dedicated business channels were born, they took over the primary role of disseminating news…. News became an increasingly small portion of what BW offered.

Now we are carrying those changes to the next logical step. We are stepping out of the news genre to focus entirely on issues, events and trends that will affect your business and the economy in the future.

Link via N.M. Upadhyay

Read the full note: Dear Readers

Also read: ‘Business journalists deserve credit for reforms’

‘Every big story in last 3 years broken by TOI’

15 October 2012

The front-page of the launch edition of Ei Samay, the new Bengali newspaper launched by The Times of India group, in Calcutta, on Mahalaya, the first day of Dasara 2012.

The first day’s issue comprises a 32-page main broadsheet section, a 32-page supplement, and an 8-page tabloid section titled O Samay.

The main section has an eight-page wrapper before the actual newspaper (above) begins. The front page of the paper carries the tagline “Dugga, Dugga” (colloquial for ‘Durga, Durga’, a traditional invocation when embarking on a new endeavour) with the kicker at the bottom reading: opening the window to a new world.

Pages 2 and 3 carry an introduction by Ei Samay editor Suman Chattapodhyay, against the backdrop of a giant cartoon. Chhattopadhyay’s interview with West Bengal chief minister Mamata Banerjee gets crossmedia play in The Times of India.

TOI’s Calcutta edition has an introduction titled ‘A Second Homecoming” penned by its editorial director, Jaideep Bose:

Ei Samay will open the windows to brave new thoughts and trends from around the globe even as it celebrates the best of Bengal. It will be intelligent, enlightened and insightful without being dense or inaccessible. It will probe beyond the pedestrian ‘when’, ‘where’ and ‘what’ to ask ‘why’ and ‘how’. It will bring alive the drama and excitement of social, economic and political life by providing context and perspective, nuance and texture. It will track a society in transition and anticipate critical inflection points so that its readers are better prepared for tomorrow’s world today.

“It will not sugarcoat the truth, however bitter – almost every big story that has grabbed national headlines in the last three years has been broken by The Times of India. But it will also shine the light on tales of hope and heroism, because there is an army of remarkable people out there doing wonderful deeds to change the lives of the less-privileged, often without any expectation of gain or recognition.”

The launch of a Bengali paper pits the Times group in an eyeball-to-eyeball confrontation with market-leader, Ananda Bazaar Patrika, which recently launched a tabloid newspaper titled Ei Bela to protect the flagship newspaper. The two groups are already engaged in a battle for the English market through ToI and The Telegraph.

Images: courtesy The Times of India

Read the full introduction: A second homecoming

Also read: The grandmother of all newspaper battles

Buy our newpaper: get a Harley-Davidson free!

Times, Telegraph and the Bengali paper wars

The new kid on the block announces an eclipse

The new kid on the block announces an eclipse

25 September 2012

The front page of Ei Bela, the new Bengali tabloid launched by the Ananda Bazaar Patrika (ABP) group in Calcutta, as a “buffer” to counter the launch of a Bengali newspaper from The Times of India group, on the day Mamata Banerjee‘s Trinamool Congress walked out of the Congress-led UPA.

This is the second tabloid from the ABP group, after the now-defunct evening daily The Metropolitan under M.J. Akbar.

Also read: Times, Telegraph and the Bengali paper wars

Read our paper, get  Harley-Davidson free!

Buy our paper, get a Harley-Davidson: Free!

5 September 2012

It’s raining gifts in the Bengali newspaper wars. And gone is the age of fress flasks, timepieces and tee-shirts to woo subscribers.

Ei Bela (the moment), the soon-to-be-launched tabloid from the Ananda Bazaar Patrika group (which also owns The Telegraph and ABP News) to counter The Times of India group’s morning broadsheet Ei Samay (Times Now), is rolling out Apple iPods, laptops, smartphones, iPod Touch, SUVs and—wait for it—Harley Davidson motorcycles.

Also read: Times, Telegraph and the Bengali paper wars

‘Business journos deserve credit for reforms’

10 December 2011

India’s second oldest business magazine, BusinessWorld, is celebrating its 30th anniversary this month. A special issue to mark the occasion features all the  editors of the fortnightly turned weekly magazine from the Ananda Bazaar Patrika (ABP) stable talking about their respective tenures:

Dilip Thakore (now editor, Education World): I served as editor of BusinessWorld for seven years (1981-87) during which — together with a strong and reliable country-wide team — I produced 166 issues of this then fortnightly magazine, and wrote over 100 cover stories which I believe transformed the national mindset about the character and potential of private sector business and industry.

Looking back in retrospect, I believe it was the missionaries of BusinessWorld (and Business India) who deserve a greater share of the credit for the 1991 liberalisation and deregulation of the Indian economy — than Dr Manmohan Singh and his over-hyped lieutenant Montek Singh Ahluwalia who were enthusiastic executives, if not architects, of licence-permit-quota raj for several decades and who were at the time earning unmerited dollar fortunes in the World Bank and Asian Development Bank.

***

R. Jagannathan (now editor, First Post): My predecessor Dilip Thakore had made the magazine a hit with big business by pioneering personality-oriented writing…. Thakore reported on personalities, accompanied by large, professionally shot pictures. Critics sometimes rubbished this approach as soft PR, but I believe it was an important stage in the development of business journalism in India. He humanised business writing…. Thakore helped businessmen get comfortable with the camera, and coaxed them to bare their souls to the media….

BusinessWorld saw the growing interest in share investment and created a 16-page ‘InvestmentWorld’ section — perhaps the first general business magazine to do so. A bonus: if I recollect right, an amateur technical analyst called Deepak Mohoni also debuted in BusinessWorld, and was the first one to coin the term Sensex for the Bombay Stock Exchange Sensitive Index….

Another change that looked big then, but now appears routine, is colour. For the first time ever, BusinessWorld introduced 32 pages of colour during my watch. It was a bold statement to make to our readers, but we needed that to capture the bright new tapestry of Indian business. The black-and-white dullness of the Indian economy was about to change forever. But we didn’t know it then.

***

T.N. Ninan (now chairman, Business Standard):  My time at BusinessWorld (1993-96) was a productive and satisfying period when we ran some really good stories and profiles, introduced prize columnists like P. Chidambaram and Ashok Desai, and saw the over-all development of the magazine and (if memory is not playing tricks) a trebling of circulation in those four years.

Two other points are sources of satisfaction today: how well some colleagues of the time have done in their subsequent careers, in India and overseas — leading publications and TV channels, and winning awards — here and internationally; and the warmth and mutual regard that members of the team still have and share.

Unfortunately, there are no photographs of the Sarkar brothers doing a gentle jig, along with everyone else including Shobha Subrahmanyan who was the chief executive, around an evening campfire above a Goa beach, where we had gone for an editorial conference but played water-polo. Those pictures might have undermined the staid image of Aveek, Arup and Shobha, back home in Calcutta (as it was then), and were confiscated!

***

Tony Joseph (now heads MindWorks): No sooner had I taken over than the Vajpayee government decided to shake up the sands of Pokhran with a nuclear explosion. We were discussing how to handle that week’s issue and I remember the advice one senior colleague gave me.

“Ask yourself what Ninan would do,” he said, referring to T.N. Ninan, my predecessor, former boss and probably the most influential business journalist in the country. If that comment implied a certain lack of confidence in the new editor, I pretended not to notice! With a novice at its helm, I think we pulled off that issue without disaster, but soon other bombs were to go off.

A few weeks into my editorship, a consultancy firm that ABP had hired was considering what to do with BusinessWorld — let it go, or let it grow…. We started with a staff of about 71 in April 1998 and about a year and a half later, that number was down to 51, made up mainly of new recruits. Of the original staff, barely seven or so remained. I can only say that my communication skills must have been remarkable for it to have produced that dramatic an effect. Talk about inspirational leadership!

I would come into the office every morning wondering who was going to leave that day — and what would be up on the office notice board. Those who thought the magazine was going downhill despite the rising circulation would put up newspaper cartoons depicting clueless bosses making bone-headed decisions. I still wince at the sight of Dilbert cartoons!

However, we managed to retain some senior staff and build a core team of editors and writers who together shaped a new Businessworld, one that captured the zeitgeist of changing India. The change was not just in terms of what stories we covered, but also how they were covered.

***

Jehangir S. Pocha (now co-promoter, NewsX): When I joined BW, my peerless predecessor, Tony Joseph, had already turned it into India’s most sold, most read business magazine…. But the best products re-invent themselves before they are forced to. With India transforming, ABP’s editor-in-chief Aveek Sarkar wanted to refresh and re-think BW.

Given that charter, I felt BW had to transcend the traditional business news weekly formula of summing up the previous seven days. Instead, I wanted BW to become a forward-looking magazine, a kind of soothsayer and sentinel
for business.

Convinced that BW had to be world-class, New York-based designer Francesca Messina was commissioned to redesign the magazine. In-house art director Jyoti Thapa Mani, her team and I spent many hours bringing Francesca’s design to life, giving BW the look and new sections it boasts today. Though a new edit team also formed at the magazine, we remained committed to BW’s inimitable mixture of clever thinking and clear writing.

Tamil paper prints phone numbers of N-protestors

1 December 2011

In April 2010, the Bengali television news channel Star Ananda of the Ananda Bazaar Patrika group ran into trouble with the soon-to-be chief minister of the State, Mamata Banerjee, for “continously flashing” her mobile phone number after a railway accident.

Thousands of miles away, the Tamil newspaper Dinamalar, is making news for nearly similar but more serious reasons, for publishing the residential addresses and mobile phone numbers of those at the forefront of the agitation against the Koodankulam nuclear power plant (KNPP) that has gripped the southern State.

Below is the full text of their complaint to the editors of the paper (which is published from Madras, Madurai, Coimbatore and Pondicherry) with a copy to the press council of India headed by Justice Markandey Katju.

***

The Dinamalar issue dated November 24, 2011 published a front page story on us, S. P. Udayakumar, M. Pushparayan, and M. P. Jesuraj, the leaders of the ‘People’s Movement Against Nuclear Energy’ that has been struggling against the Koodankulam Nuclear Power Project.

Your news item has included our personal and private information such as home addresses, home phone numbers, mobile numbers and email addresses without obtaining any kind of prior permission from any of us. Your story has also included libelous and erroneous information about us without giving any kind of evidence or material proof.

The story has been written, edited and published with the criminal intent of inciting public anger and outrage against us and provoking the public to attack us and our families.

Ever since the story is published, our family members have been receiving obscene and threatening phone calls in our home numbers, and we all have been receiving similar calls on our mobile phones from your readers who tend to replicate your own foul language and unruly conduct.

Your story has caused enormous physical suffering, psychological pressure and mental agony to us and our family members and the story has endangered our and our family members’ safety and security.

Your criminal behavior has breached every journalistic ethos and norms practiced in India. We and our family members have filed criminal complaints with the Tamil Nadu police and our lawyers have initiated legal action against your newspaper in appropriate courts.

Yours truly

S. P. Udayakumar, M. Pushparayan, M. P. Jesuraj

A good cartoon is like a raga. The trick is ‘riyaz’

24 October 2011

Puthukodi Kottuthody Shankaran Kutty, known simply to the newspaper reading world as Kutty, one of India’s leading political cartoonists, has passed away in the United States at the age of 90.

Part of the legendary troika of cartoonists that comprised Shankar and Abu Abraham, Kutty’s work appeared first in the now-defunct National Herald and later in the Bengali daily Ananda Bazaar Patrika.

E.P. Unny, the chief political cartoonist of The Indian Express, pays tribute in today’s paper.

***

By E.P. UNNY

When two practitioners, generations apart, sit down to chat, a one-way flow of wisdom should naturally ensue. Among other things, this cartoonist defied this one too.

On that August morning in 1985 when I met him first, Kutty was at the INS building earlier than the place had woken up. “I come in by nine to drop my cartoon at the Ananda Bazar office and leave before the wise guys turn up,” were his opening remarks.

He had little use for peer inputs, “however wise or otherwise”. Before anyone else in the Capital, he had made up his mind on the day’s newsmakers and the verdict signed and sealed was ready for dispatch.

Quite apart from Abu, O.V.Vijayan and Rajinder Puri, the editorial cartoonists I grew up on, Kutty came with no thought balloon. This compact cartoonist just sat there freely chatting, waving his hands about and the cartoon seemed to emerge like a gestural extension.

Pen and paper were incidental to his art.

He would grab the most non-descript of writing instruments and sketch on anything short of the blotting sheet, waste newsprint to butter paper. The drawing looked amazingly finished, with all things cartoonish in place, including that inimitable impishness which marked his work.

Surely he couldn’t have so effortlessly done this 100-metre dash day after day for as long as M.F. Husain painted. In the many meetings that followed our first, Kutty did casually allude to his craft, in terms that hardly matched the everyday business of news cartooning.

“Things are easy once you master the face like a raga. Do riyaz.”

These venerable musical metaphors were however, in keeping with Kutty’s breeding. He was trained by Shankar in the only gurukul cartooning has seen — the Shankar’s Weekly.

Shankar ran a two-room office in Odeon Building in Connaught Place in Delhi like a true ustad. Far from mild-mannered, the master with his classical notions on pen and brush to perspective could have traumatised a lesser disciple.

Kutty played along as best as he could only to ever so furtively depart from the guru’s elaborate choreographed frames to a more functional mode.

Once India’s honeymoon with Swaraj was over, the emerging politics was being held together by satraps across the country and not always in consonance with Nehruvian norms. This called for more immediate random responses and true to his calling, Kutty was ready with a style that caught the political drift away from Delhi and across the regions. This stood him well when he eventually left English newspapers to embark on an incredible leap into the unknown.

In Ananda Bazar Patrika he went on to become the best known Bengali cartoonist. He had already done his riyaz on B.C. Sen, Atulya Ghosh and the two barristers who ran Bengal — Siddharth Shankar Ray and Jyoti Basu. Kutty knew his turf but the unknown part is awesome.

This Malayali, who knew no Bangla, wrote his terse captions in English for the news desk to translate into Bangla. From Bengal’s Bihari, Oriya immigrants to the rooted bhadralok, none noticed this historic sweep of the fragile news cartoon across three languages.

In an earlier stint with this paper from 1962 to 1969, Kutty did what all the greats in this profession do — anticipate a worthy successor. He prepared the Express reader for Abu Abraham’s elegant minimalism.

Text and cartoon: courtesy E.P. Unny/ The Indian Express

Tiger Pataudi’s parting shot for the media

24 September 2011

A day after the passing of Mansur Ali Khan Pataudi, The Telegraph has reprinted a 1995 interview with the former cricket captain, who also did a stint as editor of Sportsworld, the now-defunct magazine from the Ananda Bazaar Patrika group that owns The Telegraph.

The interviewer is Salman Khurshid, the current Union law minister, whose wife Louise Fernandes used to be a correspondent for Sunday magazine, also of the ABP group.

Salman: Tell me about other things in life… something about the media world.

Tiger: Really, they deserve the biggest kick up their arse. They do the most damage.

Salman: And they are absolutely irresponsible. Don’t you see something in this, apart from the fact that there is a big problem of accountability in the media and every time we’ve tried, or anyone has tried, to make a system by which the media can be made accountable, they’ve cried, they’ve cried themselves hoarse, and we haven’t succeeded. People can defame anyone they like, people can write anything they like. But non-accountability is a part of modern Indian culture.

Tiger: But they’re also well patronised. They wouldn’t be doing this unless they were patronised by the politicians.

Salman: Yes that is true. But the media is going to change. There is a new kind of media. I often tell the small-time newspaper people that you keep publishing your 5,000 copies defaming people, but there’s an electronic media coming that sees facts a little more clearly because it shows them on the screen. You object as much as you like, but the day of the electronic media has come.

Read the full interview: ‘Can’t be taken seriously till you are 70′

Vir Sanghvi “suspends” Hindustan Times column

27 November 2010

Vir Sanghvi‘s weekly Hindustan Times column Counterpoint will not appear from next Sunday, after tapes of his alleged conversations with the lobbyist Niira Radia surfaced in Outlook* and Open magazines last week.

The column which will appear tomorrow, 28 November 2010, will be his last, although Sanghvi claims on his website, a) that he is merely taking a break and will be back soon, and b) that his other work for HT will appear as usual.

“The whole episode has left me feeling battered. Perhaps it will drag on. Perhaps more muck will fly around. I have no desire to subject Counterpoint to this filth. It deserves better. So, Counterpoint will be taking a break. When life returns to normal, so will Counterpoint.

“As for me, I must say in all humility, that I will use the break to do some thinking. Of course, I’ll still be around, both here at the HT and in Brunch and in all the other places your normally find me (TV, books, live events, etc.). Counterpoint has taken a break before (six months in 2000). It returned rested and refreshed. This time around, perhaps a rest will lead to renewal.”

The rumour is that the New Indian Express which, too, runs an exclusive column by Sanghvi has decided to drop him after the tapes’ scandal.

Sanghvi, who happily drops the names of Congress bigwigs Sonia and Rahul Gandhi in his conversations, suffers further public opprobrium in the letters column of Outlook* magazine, where a “clarification” reads thus:

“After Outlook’s disclosure of the 2G scam tapes, sources close to the Congress leadership have said journalist Vir Sanghvi’s references to Sonia and Rahul Gandhi in his conversation with Niira Radia were a figment of his imagination. He was neither consulted during the cabinet formation post-2009 election nor given the opportunity to speak to the Congress leadership on the allocation of portfolios.”

Oxford-educated Sanghvi was editor of Bombay magazine of the India Today group, Sunday of Ananda Bazaar Patrika group, and Hindustan Times before being named “advisory editorial director of HT“.

One of the few print journalists to graduate to television with ease, Sanghvi has hosted shows on a number of networks Star and Discovery Travel & Living, and writes a popular food column.

Counterpoint has appeared for over two decades in both Sunday and HT.

* Disclosures apply

Update: An earlier headline for this piece suggested that Hindustan Times had “suspended” the column.

Read the full column: Setting the record straight

External reading: The Niira Radia tapes and transcripts

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