Posts Tagged ‘K. Gopinathan’

T.S. SATYAN Awards for Photojournalists

14 December 2011

The winners of the T.S. SATYAN Memorial Awards for Photojournalism 2011: (Left to right) Yagna, K. Gopinathan, Netra Raju, Bhanu Prakash Chandra, Regret Iyer, M.S. Gopal

sans serif is pleased to announce the winners of the inaugural T.S. Satyan Memorial Awards for Photojournalism, instituted by India’s first web-based photosyndication agency, Karnataka Photo News, in association with churumuri.com, in memory of the legendary photojournalist who passed away two Decembers ago.

The awards will be presented by the governor of Karnataka, H.R. Bhardwaj, in Bangalore on Sunday.

Lifetime achievement award: Yagna, ex-Hindu, Udayavani, Mangalore

Best newspaper photojournalist: K. Gopinathan, The Hindu, Bangalore

Best professional photojournalist: Netra Raju, The Times of India, Mysore

Best magazine photojournalist: Bhanu Prakash Chandra, The Week, Bangalore

Best freelance photographer: ‘Regret Iyer, Bangalore

Best online photojournalist: M.S. Gopal, eyeforindia.blogspot.com

Nominations for the awards came from the Karnataka media academy, press club of Bangalore, Karnataka union for working journalists and the photojournalists association of Bangalore. The lifetime achievement award carries a cash prize of Rs 10,000 and a citation; all other prizes carry a cash prize of Rs 5,000 each and a citation.

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Read more about/by the winners

K. GOPINATHAN: Why namma Gopi (almost) cried in January 2008

REGRET IYER: Success is standing up one more time than you fall

M.S. GOPAL: Every pictures tells a story. Babu‘s can fill a tome

M.S. GOPAL: When Chamundi betta relocates to amchi Mumbai

How this baby made a lensman cry 19 years later

24 August 2009

prashna

For news photographers life is one endless “assignment”. The ticking timepiece, the pressure to capture The Moment better than the others on the beat, the boxing for space between “video” and “still” leaves little room for reflection, even less for poetry.

In staff-strapped Indian media houses, the sublime and the ridiculous—ministerial visits, seminars, crime scenes, “human interest”, celebrity photocalls, accidents, book releases, quarterly results, cricket matches—all jostle for equal attention.

Amateurs and shamateurs have discovered their ways of dealing with the pressures. The coscientious and professional keep their head above the water by organising themselves, by keeping personal emotions out, and by not getting overly sentimental.

In February 1989, K. Gopinathan (in picture, left), then as now, a world-class news photographer with his heart in the right place, received word that a baby abandoned the day after her birth, had been given shelter seven months later by a children’s home in Bangalore aptly named Ashraya.

“My first glimpse of the infant was a shock: a sweet-looking baby minus arms and legs. Suddenly I was battered by all sorts of feelings. I cried in my heart: “God, why did you punish this beautiful child?” I then pushed aside my emotions prepared for the shoot. That was when she looked at the camera directly, raising her torso as if to assert herself: “This is me! This is what I am!”

Gopi’s picture, frontpaged in the undivided Indian Express under T.J.S. George, attracted the attention of an American single-parent, Catherine Cox, who came forward to adopt her, named her Minda Cox, and took her to the United States.

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19 years later, in January last year, Gopi, now the chief photographer of The Hindu in Bangalore, received word that mother and daughter were in Bangalore for the silver jubilee reunion of its adopted children.

In an article on The Hindu website to mark World Photography Day, Gopinathan describes the surreality of the experience:

“I looked around, foolishly, for a baby without limbs, not realising she was a young woman now…. Amidst much clapping and cheering, I was introduced as the first person to have taken her picture.

“She beckoned to me, grabbed my hand and held it under her chin. By now I was choking with emotion and parallely I was conscious of the fact that I had not shed a single tear when my father died.”

Then began a quest to hunt for Minda Cox’s biological parents, which Gopi documented magnificently with Divya Gandhi here, here and here.

The search took them to Kolekebailu, 30 km from Manipal on the west coast of India, to the village of Kalavathi and Shankar Shetty.

“As we neared the village, we saw villagers lining both sides of the road…. The crowd was getting restive and I had a tough time convincing them they would get their turn to see Minda. One man repeatedly tried to sneak in and I asked him exasperatedly why he was in hurry.

“‘I am her father, Sir,’ came the reply.”

mindaRead the full article: No more a question mark

Photographs: courtesy K. Gopinathan/ The Hindu

Also read: Bunt bird who soared from Manipal to Missouri

The 2008 India Press Photo award-winning picture

How a world-class yoga photograph was shot

In a democracy, prince and pauper beg together

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