Posts Tagged ‘Mumbai Mirror’

Africa-watcher Hari Sharan Chhabra is no more

17 December 2012

On the pages of The Times of India in Delhi, the grim news of the passing of an Indian who looked at a part of the world most of the media doesn’t: Hari Sharan Chhabra, editor of Africa Diary and World Focus and a frequent contributor to the Economic & Political Weekly (EPW).

Chhabra’s elder son, Aseem Chhabra, has been one of the stellar names from New York covering the arts for Rediff.com, India Abroad and Mumbai Mirror, among a range of publications.

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Also read: Alfred D’ Cruz: The Times of India‘s first Indian sub

Tarun Sehrwat, 22 and killed in the line of duty

Chari, a lens legend at The Hindu

Harishchandra Lachke: A pioneering cartoonist

T.N. Shanbag: Man who educated Bombay journos

Rajan Bala: cricket writer of cricket writers

Jyoti Sanyal: The language terrorist and teacher

Russy Karanjia: The bulldog of an editor

Sabina Sehgal Saikia: The resident food writer

M.G. Moinuddin: The self-taught newspaper designer

Naresh Chandra Rajkhowa: Journo who broke Dalai Lama story

J. Dey: When eagles are silent, parrots jabber

E. Raghavan: Ex-ET, TOI, Vijaya Karnataka editor

Prakash Kardaley: When god cries when the best arrive

Pratima Puri: India’s first TV news reader passes away

Tejeshwar Singh: A baritone falls silent watching the cacophony

N.S. Jagannathan: Ex-editor of Indian Express

K.M. Mathew: chief of editor of Malayala Manorama

Amita Malik: the ‘first lady of Indian media’

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V.N. Subba Rao, an Express legend, is no more

K.R. Prahlad: In the end, death becomes a one-liner

M.R. Shivanna: A 24×7 journalist is no more

C.P. Chinnappa: A song for an unsung hero

The TOI lensman who nailed Ajmal Kasab’s fate

22 November 2012

Sebastian D’Souza, the photo editor of Mumbai Mirror, with the photograph that he took of Ajmal Kasab inside Victoria Terminus on the night of 26 November 2008

Sebastian D’Douza, then photo editor of Mumbai Mirror, took 19 photographs on the night of 26 November 2008, including the iconic one of Ajmal Kasab striding across the corridors of Bombay’s Victoria Terminus station, spraying bullets.

Now retired, “Saby”, as the lensman is known to friends and colleagues, testified before the trial judge, M.L. Tahiliyani, who called his testimony “blemishless”.

In August this year, the Supreme Court noted:

“While dealing with the VT carnage, we must take note of two witnesses (Saby and Shriram Vernekar). Their evidence is extraordinary in that they not only witnessed the incident but also made a visual record of the event by taking pictures of the two killers in action and their victims… Both the witnesses, caring little for their own safety and displaying exemplary professionalism, followed the killers,” said the SC.

After Kasab was hanged yesterday, The Times of India quotes Sebastian D’Souza as saying:

“While I can’t be happy over anybody’s death, Kasab’s hanging does put an end to this sordid chapter and may help the victims get some closure.”

***

Thomas Fuller profiled D’Souza for the International Herald Tribune:

When the gunfire started, Sebastian D’Souza was well placed to respond. From his office directly across the street, D’Souza, the photo editor of Mumbai Mirror, grabbed his Nikon and two lenses and headed out into the blood-soaked night.

Peering from behind pillars and running in and out of empty train cars, he emerged with the singular iconic image of the attacks: a clear shot of one of the gunmen.

“I was shaking, but I kept shooting,” D’Souza said as he scrolled through his pictures of the attacks in a recent interview at his office.

D’Souza’s photo of Muhammad Ajmal Kasab confidently striding through Chhatrapati Shivaji Terminus carrying an assault rife with one hand, finger extended toward the trigger, has been printed and reprinted in newspapers here and flashed daily on television screens.

Sebastian D’Souza recounted the story in The Times of India:

“In the distance we saw two dark figures carrying rucksacks but weren’t sure who they were.”

Saby asked the constable to fire. One of the two figures swung at the sound and fired back. Looking over the barrel of a government-issue rifle Saby took his first shot of the night. Seconds later, he saw the owner of the book stall at the platform slump down, writhing in pain.

This was Saby’s second shot before he saw Shashank Shinde’s lifeless body. “It was the first realisation I had that I was in a far more serious situation than anything I’d covered before.” He watched the gunmen pump two more bullets into the book stall owner to make sure he was dead.

He also saw, from his hiding place, an old woman in an orange navwari sari walk past, oblivious as a sleepwalker; the gunmen looking at her and then away for other targets.

“I was terrified for her but they just let her walk by. I wonder why.”

By now he was hiding in one of the empty train compartments where he fitted the telephoto lens onto his Nikon D-200, and then crouching out barely a few inches he shot a couple of frames of one of the terrorists. He was no more than a boy, hair cut like Shah Rukh Khan in his Baazigar days, dressed in neatly ironed gray cargos, black tee-shirt, and carrying a bag that seemed heavier than his weight.

In the other hand he carried a Kalashnikov which, Saby saw clearly through his lens now, was raised in his direction.

Link via M.V.J. Kar

Also read: ‘I wish I had a gun rather than a camera’

External reading: Supreme Court praises TOI photographers

30-plus, glamourous, sexy, brainy and seductive*

16 November 2012

Raveena Tandon is playing Shobhaa De, the former editor of Stardust, Society and Celebrity, in the Hindi film Shobhana’s Seven Nights that is already doing the rounds at international film festivals. But quite clearly the journalist turned best-selling author is not amused.

In an interview with Kavitha Shanmugham of The Telegraph last Sunday, Tandon says:

“The movie is about a gossip columnist and pulp fiction writer, and most people are assuming that it’s about Shobhaa De. I would say some traits of the character—such as her spunk and attitude—are inspired by her, but the story is not.

“Shobhaa De is a dear friend and avery different person from the one depicted in the film. However, her publisher is called Harry Davidar in the film and the logo of his publishing house does look like a penguin. That part is deliberate (smiles mischeviously).”

However, in January, the movie’s director, Sudipto Chattopadhyay hadtold Mumbai Mirror that the character was clearly based on De:

“Yes, Raveena plays a character based on Shobhaa De, who’s a dear friend of mine. So, I’ve taken the liberty of borrowing from her personality. I needed someone 30-plus, glamorous, sexy, brainy and seductive to play the part, and Raveena was my first and last choice.”

*Search engine optimisation techniques at work

Also read: Will underworld dons trust such a hot reporter?

Enter: the queen bee of Bollywood film journalists

Mouth ka saudagar to play Arnab and Rajdeep

For some journos, acting is second string in bow

Finally, Karnataka gets an ‘acting’ chief minister

Look, who wants to play Christiane Amanpour!

IRS sparks TOI-Mumbai Mirror vs DNA-HT battle

23 December 2011

Mumbai Mirror was launched seven years ago to protect The Times of India from the new kids on the block, DNA and Hindustan Times, on its hometurf.

TOI says the latest Indian Readership Survey (IRS) puts Mirror‘s average issue readership (AIR) at 7.54 lakh copies, ahead of both DNA and HT.

In Mumbai, TOI remained the dominant No. 1 with 15.35 lakh readers, while Mumbai Mirror maintained its No. 2 position with 7.54 lakh readers. The top two newspapers in Mumbai thus continue to be from the Times Group stable.

A front-page announcement in Mirror says:

“According to the latest figures released by IRS, Mumbai Mirror retains its position as the No. 2 English language newspaper in the city, still ahead of the competition and behind only the ever-large presence of The Times of India.”

On the other hand, DNA claims TOI has lost nearly two lakh readers since its 2007 launch.

Not to be left behind, Hindustan Times‘s front-page story too harps on ToI‘s decline.

HT‘s daily readership grew by 35,000 in Mumbai over the previous round while the main rival, The Times of India, lost 53,000 readers, according to the IRS (Q3, 2011) results…. DNA is the third among the three English broadsheet dailies in the city with an AIR of 6.8 lakh.

Hindustan Times is the only newspaper in Mumbai to have increased readership in 12 of the last 13 IRS rounds. In fact, since becoming Mumbai’s No2 English broadsheet in December 2010, HT has added 1.59 lakh readers over the last 4 rounds.”

The journalism film that Dev Anand didn’t make

5 December 2011

Indian Express editor-in-chief Shekhar Gupta pens a warm and personal profile of the departed Bollywood star Dev Anand in today’s paper, with this concluding first-person experience:

“His curiosity about my life and years as a reporter too was never-ending. Sometimes, on those long evenings, I would end up telling him stories from the pickets, trenches, minefields and snipers’ alleys just as I might tell my children. And he listened just as curiously as the children.

“So he said to me one day, ‘Shekhar, let me make a film on your life.’

“I said thank you, and that it was such a funny idea.

“But he said no, there will be a journalist like you who goes from one battlefield to another, Nagaland, Mizoram, Manipur under tribal insurgencies, Amritsar under Bhindranwale and Operation Bluestar, the massacres at Nellie and in Delhi after Indira Gandhi’s assassination, Afghanistan and Pakistan during the first (and “good”) jihad against the Soviets, Jaffna under LTTE and IPKF, Baghdad’s Al Rashid hotel and Jerusalem under Scud missile attacks in the first Gulf War — he remembered all the various stops in my years of reporting conflict.

“There will be many, many interesting women in his life, including an ambitious politician, a Pakistani spy and a pretty foreign journalist, he said, ‘what a film it will turn out to be, Shekhar, socho zara.’

“I asked him, cheekily, so, Dev Saab, who will play me in your film?

“‘For the younger phase, we will have to find somebody. Lekin thoda senior hone ke baad,’ he said, of course he would be playing that lead role himself!”

At the time of the interaction, Dev Anand was 80 years old and Shekhar Gupta, 46.

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Pankaj Vohra, political editor of the Hindustan Times, writes in today’s paper:

“I remember that I had invited him to the Press Club of India for a “Meet the Press” programme, just before Sache Ka Bol Bala was to be released. There was no electronic media and I doubt that any actor in our history has received the kind of coverage he got on the front pages of every newspaper, which came out from Delhi.

“The story is that originally, the report was slated for page three in the Dainik Hindustan. But when the night foreman saw Dev Anand’s picture and the report, he ran it on the front page telling his colleagues that he was prepared to face the consequences the next day as “Dev Anand has to be on page one”. This is the kind of committed following he had.”

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Raja Sen in Mumbai Mirror:

“I was lying in bed, bleary eyed and half-asleep, making up for a particularly long and raucous night when the phone rang. “This is Dev Anand,” the voice trilled, in that exact iconic, oft-mimicked tone we’ve all heard, and I instantly, instinctively stood up — y know, like in the movies where hawaldaars stand while talking to the superintendent.

“Devsaab commandeered respect by default, regardless of fading importance and diminishing cinematic quality, and here he was calling up in response to an SMS I’d sent about an interview and totally throwing me off balance in the process, of course.

Goldie [Anand] would have cast you as a spy in the 70s”, he laughed later when I sat across from him in his Bandra office. He asked me what I’d like to drink, and then ordered me tea with a flourish — “inke liye aisi chai laana ki unhe yaar rahein kahan chai pee thi” — in that tone again, naturally, with a wink thrown in, and proceeded to talk.”

***

Bharati Dubey in The Times of India:

“The first time ever spoke to Dev Anand was after the release of his 1994 film Gangster. ‘I read your review titled ‘Gangster Disaster’,’ said the legendary actor over the phone. ‘You are entitled to your opinion. Please come and meet me at my pent house in Bandra….’

“His invitations were always personally written and he followed them up with a reminder phone call…. One never needed to go through a secretary to fix up a meeting with Dev Anand ‘I’m available on this number after 2 pm,’ he would say ‘Call me and we shall meet.’”

Read the Express article: Deeply in love with life and with himself

Read the HT article: Fiercely independent, fearless and individualistic

Read the Mumbai Mirror article: Salaam, Dev saab

Read the ToI article: Goodbye guide to romance

Journalist arrested in journalist’s murder case

25 November 2011

Jigna Vora, the deputy bureau chief of The Asian Age, Bombay, who was arrested today in connection with the dastardly murder of Mid-Day journalist J. Dey.

Vora, who was formerly of Mumbai Mirror, has been charged under Section 120 (b) of the Indian penal code (conspiracy), read with 302 (murder) and Maharashtra control of organised crime Act (MCOCA).

The police say she passed on information such as email IDs, residential addresses, motorcycle number and J Dey’s movements to the organised crime syndicate, based on which the murder was orchestrated.

Photograph: courtesy Mid-Day

Also read: J. Dey: ‘When eages are silent, parrots jabber’

Enter: The queen bee of Bombay film journalists

4 October 2011

Anju Mahendroo (in picture), the colourful actress who once boasted of an off-field partnership with cricket legend Gary Sobers, is to play the role of the gossip columnist Devyani Chaubal in The Dirty Picture, based on southern sleaze queen Silk Smitha‘s life.

Devyani Chaubal wrote the saucy Frankly Speaking column in the now-defunct film magazine Star & Style, mixing insider knowledge with insinuations in bitchy Hinglish prose, a style emulated by several of her contemporaries, including Shobha De.

According to Mumbai Mirror, it was Anju herself who suggested to the movie’s director that her character should be based on Devyani.

“I told Milan Luthria that I knew Devyani at a personal level and it would be easier for me to base my character on her.

“In one scene, Vidya Balan [who plays Silk Smitha] comes up to me and asks ‘Who are you?’

“When I introduce myself, she shoots back, ‘Oh so you are the one who writes all the nasty things about me’.

“And then I answer back, ‘Well, it’s better to be written about than not’.”

Read the full article: Anju turns controversial journo

View a sample of Devyani’s writing: here

Also read: For some journos, acting is second string in bow

Finally, Karnataka gets an ‘acting’ chief minister

In the digital era, affection of the analog kind

1 July 2011

She is the doyenne of news photography in India; the country’s first woman news photographer. He is the master of magazine and feature photography.

Little wonder, when Raghu Rai met Homai Vyarawalla at the launch of a new line of digital cameras in Bombay on Thursday, it was a manna from heaven for lensmen.

Photograph: courtesy Mumbai Mirror

Also read: The woman who happily shot Nehru and Gandhi

Five photography tips from ace lensman, Raghu Rai

3 deaths, 14 attacks on journos in last six months

14 June 2011

GEETA SESHU writes from Bombay: The killing of Mid-Day (special investigations) editor J.Dey on Saturday, 11 June 2011, was the third death of a journalist in India over the last six months. In all three instances, investigations are on but no arrests have been made; much less is there any headway as to the killers or their motives.

The impunity with which these attacks have taken place only shows that, in India, freedom of speech and expression cannot be taken for granted. “The Free Speech Tracker” set up last year by the Free Speech Hub to monitor all instances of violations of freedom of speech and expression reveals that attacks on journalists and intimidation of editors and writers continued unabated.

# On 20 December 2010, Sushil Pathak, a journalist with Dainik Bhaskar in Bilaspur, Chhattisgarh, was shot dead while returning home after a late night shift. The general secretary of the Bilaspur Press Club, Pathak is surived by his wife and two children. An investigation began into his death but till February this year, no headway was made into it.

Following sustain protests from journalists’ organisations as well as opposition parties in Chhattisgarh, the state’s Chief Minister Raman Singh ordered that the investigation be handed over to the Central Bureau of Investigation (CBI).

# On 23 January 2011, Umesh Rajput, a reporter with Nai Duniya was shot dead by two masked assailants on a motorcycle. A note, stating “Khabar chaapna band nahi karoge toh mare jaoge” (If you don’t stop publishing news, you will be killed), was found near the crime scene.

Apart from these deaths, there have been 14 instances of attacks on journalist in this year alone.

# On January 3, Sudhir Dhawale, dalit activist and editor of Vidrohi, a Marathi magazine, was arrested and charged with sedition and links with Maoists.

# In January, Somanath Sahu, reporter of Dharitri, was prevented from attending a press conference at the office of the deputy commissioner of police, Shaheed nagar, Bhubaneshwar, and threatened with dire consequences for writing reports that went against the police.

# Rajat Ranjan Das, a reporter of Sambad daily, sustained fractures and head injuries by alleged supporters of Saikh Babu, a ruling Biju Janata Dal leader from Pipili, Orissa in February.

# In the same month MBC TV reporter Kiran Kanungo and cameraperson Prasant Jena were roughed up by a group of BJD workers in Banki. And, in a separate incident the same day, OTV reporter N.M. Baisakh and his cameraman Anup Ray were beaten up by anti-social elements in Paradeep when they were covering a protest dharna outside the IOCL main gate by local people demanding jobs and compensation.

# In February, an NDTV team of journalists and camera crew were harassed and illegally detained allegedly by staff belonging to the Adani group when the were filming  a report on the large-scale destruction of mangroves in Mundra, Gujarat, due to the construction of a port by the company.

# In April, Bikash Swain, the publisher of Suryaprava, an Odiya daily alleged intimidation by police, following a series of adverse reports that he published. Last September, Swain was arrested by police and protests by journalists about vindictive action by police have obviously failed to have an effect.

# On May 3, ironically on world press freedom day, Goan Observer journalist Gary Azavedo was attacked and illegally detained by security staff of a mining company in Cauverm, Goa when he went there to cover the on-going agitation against mining companies.

# In May, three journalists were beaten up allegedly by CPI(M) supporters in Burdwan district in West Bengal.

# On May 8, in Itanagar, Arunachal Pradesh, a group of youths, allegedly supporters of Nabam Tuki, Arunachal Pradesh Congress Committee president and State PWD minister, attacked several media offices, including the local office of PTI and a local newspaper Arunachal Front, apparently to protest a report in a leading daily involving their leader.

# On May 19, MiD-DAY reporter Tarakant Dwivedi, better known as Akela, was arrested under the Official Secrets Act by the Government Railway Police (GRP) for an article written over a year ago in the Mumbai Mirror that exposed the poor condition in which hi-tech weapons procured after the 26/11 attack were being kept by the railway security forces.

# On May 21, unidentified assailants waylaid V.B. Unnithan, Kollam-based senior reporter of the widely circulated Malayalam daily, Mathrubhumi, and assaulted him with iron rods. Unnithan was heading home after work on April 16.

(Former Indian Express reporter Geeta Seshu is co-ordinator of The Free Speech Hub at The Hoot)

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Also read: The unsung heroes who perished before J.Dey

J. DEY: ‘When eagles are silent, parrots jabber’

Bombay journalist arrested under OSA for scoop

19 May 2011

In the kind of incident that shines a light on the kind of police-state India is fast becoming, a former reporter of the Bombay tabloid Mumbai Mirror has been jailed under the draconian Official Secrets Act (OSA) for an article that exposed the government railway police (GRP).

In June 2010, Tarakant Dwivedi wrote a lead story in the tabloid owned by The Times of India group under his pen name Akela, on how weapons purchased by the GRP after the 26/11 terror attacks were rotting the armoury due to water leakage in the monsoon.

The news report was backed up with two pictures (shot by Raju Shinde) which showed SLR rifles soaked in water lying on the floor of the armoury, and plastic sheets placed on top of a cupboard containing rifles and pistols at the CST armoury to prevent water from seeping in.

In recognition of his efforts that showed the railway police in all their glory, Dwivedi, who has joined MiD-DaY since  his expose, was booked for trespass and arrested under section 3 (1) (a) the OSA.

The relevant section reads:

“Penalties for spying. (1) If any person for any purpose prejudicial to the safety or interests of the State- (a) approaches, inspects, passes over or is in the vicinity of, or enters, any prohibited place.”

Bombay’s journalists today took out a march to register their protest at the arrest of the scribe under OSA. Akela has been remanded to three days’ police custody.

Mid-Day editor Sachin Kalbag writes:

“This action smacks of vendetta, and no free press in any democracy should bow to this bullying by the police, which is clearly an effort to muzzle the press…. While the courts may eventually throw out the case, the harassment of going through the ordeal will serve as a deterrent for other journalists and publications.”

Read Dwivedi’s story: Leaks in CST armoury put new anti-terror arms under threat

Also read: You can’t muzzle the truth

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