Posts Tagged ‘Star of Mysore’

And so, India’s three best cartoonists are…

3 July 2012

It isn’t often that Indian cartoonists talk about their craft—or their colleagues and compatriots.

There is, for instance, a famous incident of the doyen of Indian cartooning, R.K. Laxman, being asked in the course of an interview with The Illustrated Weekly of India, about a younger cartoonist then working for the Indian Express.

Ravi Shankar? Fantastic sitarist,” was Laxman’s put-down, sotto voce.

***

Ajit Ninan, the former cartoonist of India Today and Outlook now a consultant with The Times of India, speaks about Laxman, in an interview in Star of Mysore:

Q: How would you differentiate yourself from R.K. Laxman?

A: I am a man of details and I think India is a country of details. Look at our architecture, the temples, fashion—everything has a lot of details. There is no school of cartooning and it is my seniors who helped me. I learnt by observing their works and have slept over their styles. Mario Miranda‘s details, Abu Abraham‘s simplicity of thought and Laxman’s works—something of everybody is there in my work.

However, Laxman’s cartoons had lengthy captions. I try to finish it within 10 words or even less. Almost 70% of my time goes into drafting captions.

When your drawing is so detailed, why burden it with words?

Q: Who would rank as the best Indian cartoonist?

A: R.K. Laxman—because he was a typical South Indian genius. He was a big crowd-puller and by nature he was funny, sharp and witty. Next is Mario because he brought out Indian architecture and humour, food, language, fashion through his drawings. He was a complete cartoonist and very versatile. The third would be Sudhir Tailang.

Image: courtesy Shafali

How a small newspaper registered its protest

15 March 2012

Stories of newspapers running blank editorials and news columns during the censorship era of the Emergency in the mid-1970s are legion.

But in this day and age, when space is calculated in square centimetres?

Star of Mysore, the 35-year-old evening newspaper from Mysore, ran this front-page on March 3 to protest the murderous assault on journalists by lawyers in Bangalore.

A front-page editorial noted grimly:

 ”The Fourth Estate is the new target.

“In the new resurgent India, the media has played its role in exposing the wrongs done to this nation by its own people and has given voice to the weak. The Press, the fourth pillar of democracy, has so far kept check on the three other powerful pillars—the Executive, the Legislature and the Judiciary—and has done so in the interest of keeping the citizenry of this nation informed and to get it involved in national issues.

“This success of the media in getting people involved in issues that concern the nation is what has made the other three pillars uncomfortable…. A media that helps create awareness among the citizenry making it pro-active is not in the interest of the powerful in the other three pillars of democracy. And so, on March 2, while a certain section of lawers went on a thrshing spree on media persons, the police stood like helpless bystanders.”

Image: courtesy Star of Mysore

Also read: A blank editorial, a black editorial and a footnote

A song for an unsung hero: C.P. Chinnappa

 

M.R. SHIVANNA, a true 24/7 journalist, is dead

22 May 2011

sans serif records with regret the passing away of M.R. SHIVANNA, an unsung hero of Indian journalism, in Mysore on Saturday. He was 55, and is survived by his wife and daughter.

For 30 years and more, Shivanna slogged away in remarkable obscurity and was one of the pillars on which stands India’s most successful English evening newspaper, Star of Mysore. Starting out as a sub-editor in the local tabloid, Shivanna, a son of a farmer, had grown to be editor of the family-owned SoM at the time of his death.

Shivanna was no poet. His prose wouldn’t set the Cauvery on fire, nor was it intended to.

First in at work and last man out of the office, he wrote simple functional sentences day after relentless day. While dozens of young men cut their teeth at Star of Mysore on their way to bigger things in Bangalore and beyond, Shivanna stayed on, lending his boss K.B. GANAPATHY the kind of quiet solidity every owner and editor can only envy.

Here, CHETAN KRISHNASWAMY, one of Shivanna’s myriad ex-colleagues, who moved from Star of Mysore on to Frontline, The Week and The Times of India, among other ports of call, pays tribute.

***

By CHETAN KRISHNASWAMY

“(MRS).”

For decades, lakhs of Mysoreans have seen these three letters of the alphabet appended to thousands of news reports in Star of Mysore and Mysooru Mitra, Mysore’s dour media siblings, steered successfully by its founder-editor K.B. Ganapathy.

For most readers, these initials are a daily mystery, unravelled only in the anniversary issue of the two newspapers in February and March, respectively, when a mandatory “long-form” piece or an interview appears with the full form of the byline: M.R. Shivanna.

But for the remainder of the year, (MRS) was a byword for his straight, unaffected style.

As a journalist, Shivanna knew his limitations and that perhaps was his greatest strength. In a world of flamboyant story-tellers, he was the odd man out. Shorn of scholarly airs or intellectual pretensions, MRS pursued his vocation with a constancy of purpose, a fierce diligence that is rare in a profession where careerism has taken hold.

At times it seemed as if MRS literally lived in the newsroom, straddling two worlds, two sensibilities.

He finished his work at Star of Mysore, which is an English evening newspaper, in the afternoon, only to seamlessly drift to the other part of the building and discharge his duties at Mysooru Mitra, the Kannada morning daily form the same group.

You called the office at any unearthly hour, and more often than not MRS would pick up the phone, ready with pen on paper. A bulk of the information from across the districts was communicated over phone by a network of stringers and reporters, who spoke in varying  degrees  of clarity. MRS was an expert in tactfully prising out ‘news’ from these guys, night or day.

MRS was a 24×7 journalist before 24×7 became business jargon.

***

In 1990, just before taking up my journalism course, I ventured to work in Star of Mysore as a trainee.

K.B. Ganapathy, after a cursory chat, called in MRS and asked him to take me under his wing and put me through the paces.

At first glance, MRS was distinctly unimpressive: He was frail, he had a funny moustache, he tucked his shirt out, walked with a slouch and was staccato in his speech. He fobbed me off to his colleague at the desk, Nandini Srinivasan, who helped me tremendously through the early years.

Over a period of time, slowly, steadily I built some rapport with MRS. Sometimes he would call me out for an occasional smoke which I would readily accept in the hope of having a good conversation. But MRS would keep to himself and allow me to do all the talking, seldom proffering advice or insight, a genial smile displaying his tobacco-stained teeth.

There was a manic phase, of about a month or so, when I drank with him regularly at a fancy bar in Mysore. These sessions were unremarkable, almost matter-of-fact,  as MRS insisted that the Hindi music be played at an exceptionally high volume. There was no chance for exchange of ‘journalistic views’ leave alone banter.

Through the years in college, my association with Star and MRS continued. He would give me occasional assignments and background on stories that I was following.  Although writing in English did not come naturally to MRS, he honed it over the years through repeated practice.

His news reports were structured tightly in the classic “5 Ws and 1 H” formula, and it served him well.

There were reams and reams of buff paper on which he wrote with a cheap ball point pen that leaked, smudged and grew errant due to over use. He had this peculiar habit of bringing the nib close to his lips and blowing at it, like as if he was fanning a dying cigarette. He did that always, probably to fuel his pen’s fervor.

As an old-school journalist brought up on letter press, MRS also used and understood sub-editing notation better than most journalists. He used a red ink pen to underline a letter twice for capitalisation, a hurried swirl to denote deletion, “stet” if he wanted something to stay as is.

And for all his limitations with the language, if you were ever at a sudden loss for a word, those standard ones that you use to embellish journalistic copy, MRS would spout it in a second. The words swam in his head all the time.

Instinct and Intuition guided his journalistic disposition.

Passion and Persistence gave it  further ballast.

***

In 1993, “MRS” won the Karnataka Rajyothsava award. And as it happens in journalistic circles, there were whispers of how he had engineered it all, how it was a complete joke, how he was underserving, etc. MRS continued unfazed, doing what he did best, day after day after day. In due course, the tired critics went to sleep.

Many years later, at the Taj Lands End in Bombay, I hastened to the breakfast buffet for a quick bite before a conference. I had by then quit journalism to join Intel.

I heard a familiar “Hello, Chethu”.

I swung around to see MRS holding a bowl of fruits.

Over breakfast, he told me that Intel had flown him down to cover the event and simply amazed me with the information he had collected about the company’s latest products and plans. He kept jotting down notes verifying and cross-checking facts as we spoke. That evening we promised to get together but it didn’t happen.

During R.K .Laxman’s  last visit to Mysore about two years back, MRS took on the entire responsibility of hosting him in the City. Apart from ensuring that the Laxmans stayed in a friend’s hotel he organised their trip to Chamundi hills for an exclusive darshan. Laxman was profusely thankful to him during the visit.

On their last day in Mysore, MRS called me over the phone. He began with enquiring about my well being and slowly moved on to  a long conversation on Laxman’s perspective on various issues around him. I took the journalist’s bait and went with the flow filling him with facts, quotes, trivia.

I imagined MRS at his desk, his pen scribbling away on sheafs of paper, periodically blowing into his nib, probably conjuring the headline, the lead, the middle for his copy.

MRS will continue to write wherever he is. In the end, the smudges don’t matter really.

Also read: A song for an unsung hero: C.P. Chinnappa

***

IN MEMORIAM

Naresh Chandra Rajkhowa: journo who broke Dalai Lama story

Chari, a lens legend at The Hindu

Harishchandra Lachke: A pioneering cartoonist

T.N. Shanbag: Man who educated Bombay journos

Rajan Bala: cricket writer of cricket writers

Jyoti Sanyal: The language terrorist and teacher

Russy Karanjia: The bulldog of an editor

Sabina Sehgal Saikia: The resident food writer

M.G. Moinuddin: The self-taught newspaper designer

The 25-paise mag where R.K. Laxman began

4 April 2011

R.K. Laxman may have made his name after a lifetime at The Times of India, but it was for a small Kannada humour monthly called Koravanji that the Mysore-born cartoonist drew his first works.

The magazine had been inspired by the British satirical magazine Punch. The first issue saw the light of day, today, 70 years ago and shut down 25 years later, in 1967.

A CD containing 300 past issues of Koravanji (which refers to fortune-telling tribal women) was released in Mysore last week, and a website has been launched to keep the jokes going.

***

Prof A.V. Narasimha Murthy, former head of the department of ancient history and archaeology of the University of Mysore, recounts the origin of Koravanji in Star of Mysore.

“The editor of Korvanji was Dr R. Shivaram, popularly known as RaShi. He was a medical doctor but his stethoscope could detect humour. It seems that he was a regular reader of  Punch, the internationally known humour magazine.

“The college in which RaShi was studying auctioned all the old magazines including Punch. Shivaram managed to collect Rs 3 to buy them. But the Principal of the college himself purchased the lot at Rs 4.

“The boy was highly disappointed. But the understanding Principal presented all the volumes to Shivaram as a gift. This precious gift from the Principal was a turning point in the career of young Shivaram and years later he started the monthly magazine Koravanji.

“The first issue appeared on Ugadi day of Chitrabanu Samvatsara (1942). Each issue was sold at 4 annas of 25 paise. Newspaper agents purchased the copies but did not pay the Editor/MD. The doctor who had made a good name had no cure for these agents.”

Koravanji‘s editorial menu comprised humourous skits, light hearted poems, parodies, gossip, limericks, cartoons, etc. The absence of obscene lines and double entendre was a stand-out feature, according to the professor.

Links via E.R. Ramachandran

***

Also read: Laxman & Narayan: How one family produced two geniuses

Look, who inspired R.K. Laxman‘s common man!

Making all of us smile can make one of us cry

EXCLUSIVE: The unpublished doodles of R.K. Laxman

Has namma R.K. Laxman drawn his last cartoon?

Who really named All India Radio as Akashvani?

16 November 2010

PALINI R. SWAMY writes: Mysore’s preminent position in the setting up and christening of All India Radio as “Akashvani” has gone uncontested for well over half a century. Now, in the 75th year of AIR, an unlikely challenger has emerged from 300 km away.

A 70-year-old woman has stood up in Udupi to assert that it was her late father, Hosbet Rama Rao, a former district education officer in Mangalore, was the man who first used—and thus gave the nation—the unquestionably evocative brand-name, “Akashvani“, for the radio.

In other words, the claim busts the belief widely held by Mysoreans that it was their townsman M.V. Gopalaswamy (in picture, above) who coined the word after setting up the nation’s first private radio station in his residence “Vittal Vihar” (in picture, below), about 200 yards from AIR’s current location.

***

Anuradhagiri Rao says her father, while serving as a teacher at the government college in Mangalore, anonymously published a booklet titled ‘”Akashvani” in 1932 on the phenomenon of the radio set. She says he drew inspiration from mythology in Kamsa‘s case when an ‘ashariravani‘ (voice without body) predicts his death.

Thus, voice from the akasha (sky) was ‘Akashvani‘, meaning celestial voice,” she has been quoted as saying in the New Indian Express. Her father, she adds, did not reveal his name fearing victimisation from the then British government, as he was then beginning to establish himself as a writer.

To bolster her claim, Anuradhagiri Rao adds her father’s book with the “Akashvani” title was acknowledged and adopted as a non-detailed text book for high school students by the text book committee of the Madras presidency. The book was printed twice in 1941 and 1945.

She also says an Indian Express editorial in February 1987 had doffed its hat to “an article from an unknown writer” for naming “Akashvani“. That unknown writer doubtless was her father.

Needless to say, she wants his name to the immortalised.

***

There are two problems with the claim. First, Anuradhagiri Rao bases her claims on an anonymous booklet published in 1932.  Although radio had been around for a while, sound broadcasting began in India in 1927 but All India Radio formally began operations only in 1936, according to AIR’s official website.

Second, there is the small matter of official history.

Akashvani Mysore has just brought out a 406-page souvenir to mark the platinum jubilee of the station.

In her editorial, Dr M.S. Vijaya Haran, station director, AIR Mysore, writes:

“Dr M.V. Gopalaswamy is the father of Mysore Akashvani. He served as the professor of psychology and the principal of the Maharaja’s college. The radio station that he started in 1935 in Mysore is his great contribution to the field of culture. This was the first private radio station in the whole of India and it speaks volumes of a person’s interest, passion, hard work and the instinct to do good to his fellow human beings….

“For six long years Dr Gopalaswamy ran AIR single-handedly spending money from his own pocket. Owing to financial constraint he handed over the administration to the Mysroe city municipality. Later from 1 January 1942, the provincial government of the Maharaja assumed the responsbility of running the organisation.

“Even then Dr M.V. Gopalaswamy continued to be director (till 2 August 1943). After that his colleague, Prof N. Kasturi was appointed full-time chief executive with the designation ‘assistant station superintendent.’ The radio station continued to function under the care of Kasturi, who was a thorough gentleman and a well-known humourist….

It was during that [Kasturi] period that All India Radio was baptised as ‘Akashvani‘ , a name that has been an appropriate metaphor for this wonderful organisation. The radio station flaunted with aplomb the title ‘Akashvani Mysore’ before its facade. It wafted on the waves and reached the hearts of listeners lending them undimmed pleasure. Later on, when All India Radio came under the administrative fold of the Indian government, the radio stations continued to use the name ‘Akashvani‘. The credit of lending this beautiful name ‘Akashvani‘ to all the radio stations of the country belongs to Mysore Akashvani.

Vijaya Haran’s editorial does not, of course,  say Gopalaswamy christened Akashvani, merely that he set it up.

So,while the parentage of Akashvani is not in question, it is Prof Gopalaswamy’s role in naming it that is clearly under question. Did he call it “Akashvani Broadcasting Station” when he started broadcasting as a hobby in 1935, as an earlier souvenir published in 1950 (and included in the platinum jubilee souvenir) avers?

If the name Akashvani evolved under N. Kasturi’s helmsmanship, did Kasturi himself think up the name? Did Prof Gopalaswamy, who was no longer its chief, have any role in it christening or, as a college principal himself, did Gopalaswamy draw his inspiration from an academic 300 km away?

Gouri Satya, the Business Standard journalist who is a walking encyclopaedia on Mysore, wrote recently that “a few sat together and hit upon the name Akashvani for the toy broadcasting station“. Was Hosbet Rama Rao among the few?

In the evening newspaper, Star of Mysore, reader K. Radha Chengappa writes:

“The truth is revealed by late N. Kasturi in his book Loving God, page 76 (early 1920), where he refers to his colleague Dr. M.V. Gopalaswamy of Maharaja’s College, Psychology Department.

“He writes that Dr. MVG had bought a mini Philips transmitter and desired to use it to broadcast educational programmes for the common man an hour everyday. After some years, he managed to secure permission to use short wave transmission programmes.

“For this project, he had roped in Kasturi and when he wanted an Indian word for the broadcasting station, Kasturi’s choice was Akashvani and this word stuck for AIR (All India Radio).”

Or was it Rabindranath Tagore who is supposed to have done so “in the 1930s”?

***

Photographs: courtesy Akashavani Mysore platinum jubilee souvenir

A song for an unsung hero: C.P. Chinnappa

19 April 2010

The passing away of journalists and editors barely gets a mention in Indian media outlets these days, not even in their former or current places of work, under the rather specious and cynical belief that journalists and editors should report the news, not make it.

It’s even worse, in the case of faceless non-journalists, like advertising, printing, circulation, technical and other allied personnel, such vital cogs in the giant wheel, who spend the best years of their lives in the service of their masters, only to be forgotten like a fly.

As for the carefully crafted obituary, forget it.

Chottangada Ponnappa Chinnappa, better known as C.P. Chinnappa, the long time publisher of one of India’s most successful evening daily newspapers, Star of Mysore, breathed his last on Friday. His friend and partner of 40 years, Star of Mysore editor-in-chief K.B. Ganapathy, pays a royal salute.

***

By K.B. GANAPATHY

Erich Segal‘s famous novel Love Story began with an immortal opening sentence: “What can you say about a twenty-five-year-old girl who died? That she was beautiful. And brilliant. That she loved Mozart and Bach. And the Beatles. And me.”

In the same refrain I would say, with appropriate change in words, about my friend C.P. Chinnappa, my partner in business and later director of the publishing firm, Academy Newspapers Private Limited, till his last breath on 16 April 2010 at 5 pm.

What can I say about a seventy-nine-year-old man who died? That he was handsome. And disciplined. That he loved racing and dressing. And newspapers. And me.

Yes, all these attributes fit him well like a cap.

And I would add one more—hospitality.

Chinnappanna, as I called him (for my children he was Boji) loved hosting parties to his friends and, as a bachelor, was caring to his vast extended family members. Always immaculately dressed, he attracted attention in a group by the magic of his mature looks and handsome personality. Rather conservative in speech, he won everybody’s love by his gentle manners.

For a time, in his young age, he worked in the then Kodagu state’s chief secretary’s office as the latter’s close confidant. Probably it was here that he imbibed the virtues of a good officer: the British sense of punctuality and discipline which he practised in his daily life.

This stood us in good stead while establishing our printing unit and later the flagship of our venture Academy Newspapers Pvt. Ltd., publishers of Star of Mysore and Mysooru Mithra.

As the editor and managing director, I have an erratic daily routine. It is not always possible to be punctual to the office. It was Chinnappa who filled the space most competently by his punctual presence in the office at 8.30 am, thus disciplining even the wayward employees of the firm without uttering a word of reprimand.

He led the staff and workers by his personal example, always. I don’t remember a single day when he had left the office without releasing Star of Mysore to the presses, for printing.

His mere presence made a difference.

Sadly, his health began to fail about a year ago and I personally perceived the deterioration.

His suffering during the last days was also my suffering, only I was unable to share it.

Such was our bonding that he was not just a business partner or a director of our company but a loving member of my extended family, so much so nothing in my family happened without his benign and gracious presence and participation.

With his passing away, Academy Newspapers Pvt. Ltd., has lost a mentor. And personally, while I feel a bit diminished myself, my family has lost a well-wisher.

Chinnappanna is no more, but the glorious happy memories of the times we both spent together as friends and entrepreneurs will linger with their subtle fragrance all my life.

May his soul rest in peace.

Also read: Naresh Chandra Rajkhowa: journo who broke Dalai Lama story

Chari, a lens legend at The Hindu

Harishchandra Lachke: A pioneering cartoonist

T.N. Shanbag: Man who educated Bombay journos

Rajan Bala: cricket writer of cricket writers

Jyoti Sanyal: The language terrorist and teacher

Russy Karanjia: The bulldog of an editor

Sabina Sehgal Saikia: The resident food writer

M.G. Moinuddin: The self-taught newspaper designer

An oxymoronic pursuit called Spiritual Journalism

29 June 2009

Shooting the messenger is the world’s favourite hobby. So, the media is roundly berated by media consumers as the harbinger of bad news. Media personnel have been termed by critics as the “nattering nabobs of negativism“.

We suck the warm, positive air out of this wonderful world the rest of humankind inhabits. We separate the wheat from the chaff, and print the chaff. We lead if it bleeds. We make up, we steal, we distort, we spin, we sin. Etcetera.

Well….

Well, it turns out, the criticism is not just not new but a lousy cliche.

At a seminar on the “Significance of Spiritual Journalism”, held under the auspices of Viveka Prabha, the monthly magazine published by the Sri Ramakrishna Mission, Mysore, the president of the Cuddapah mission, Swami Atmavidanandaji, showed just why.

Reports the English eveninger, Star of Mysore:

“Scribes tend to underplay the truth and highlight the negative aspects of the news to gain popularity. That creates a false picture of any incident giving wrong information to the readers.

“Once Sri Ramakrishna Paramahamsa visited a friend’s house and he was asked to sit on a bench where there was a newspaper lying on it.

“Paramahamsa asked his disciple to remove the newspaper and clean that bench with holy Ganga water.

“Asked for the reason, Paramahamsa said that the newspaper carried only bad and negative news. Therefore, it was necessary to clean the bench and then only sit on it.”

After narrating the incident, Swami Atmavidanandaji, reports the paper, called upon the journalists to imbibe spiritualism in their approach and writings to come out with “true-to-life” news.

***

Now, how “true-to-life” could this anecdote be?

Ramakrishna Paramahamsa lived from 1836-1886. None of the pictures show him holding or reading a newspaper. How likely is it that in the home of a devotee at least 120 years ago, a friend would have subscribed to a newspaper? Even if he did, were newspapers already in the sordid business of distorting the truth and spreading negative news?

Were all Bengali and English newspapers indulging in scurrilous journalism back then? On every page, every day, everywhere? Or was there a specific story that day that the Swami was aware of? If it was the latter, wasn’t Paramahamsa guilty of branding all newspapers as bad and negative?

And what precisely is “bad”?

How did Paramahamsa know that the disciple had holy Ganga water at home to be produced at that very moment? How was he sure that its miraculous powers extended to wiping the sins committed by newspapers and journalists? Would it work only for all-seeing him, or for the disciple too?

And did he get the holy water and did it work?

Encyclopaedia Britannica reports that “it was about this time [1880s] that Calcutta newspapers and journal articles first referred to Ramakrishna as the Hindu saint or as the Paramahamsa.” Did Paramahamsa express his scepticism of these labels being given to him by “bad and negative” newspapers?

All these are silly, trivial questions, of course, but that is the essence of journalism, asking silly questions and putting “the truth” to the test. As the old saying goes: there is nothing called a silly question, only silly answers. And “Spiritual Journalism” by its very definition is an oxymoron; either it can be spiritual or it can be journalism.

In other words, where specifically has this wondrous story of Sri Ramakrishna Paramahamsa on newspapers been recorded and reported? And by which journalist, writer, biographer?

Tell us another, O Spritual One, and stick to the facts.

Or shift to journalism.

9 tips from a (super-successful) small paper editor

15 March 2009

As the Indian media gets larger and more corporatised, the voice of the small newspaper editor (and owner) is slowly but surely getting snuffed out. It’s almost as if the trials and tribulations of the editors (and owners) of big papers, magazines and TV stations are the only ones that matter.

Star of Mysore, published from the south Indian city of Mysore, is one of India’s most successful English language afternoon newspapers. The 16-page tabloid is 32 years old, sells over 32,000 copies, and has an advertising rate-card and ad-edit ratio that would put most large newspapers in the shade.

Its editor-in-chief K.B. Ganapathy (in picture) spoke to journalism students of the Karnataka State Open University recently, and a couple points he made are worth listening to.

***

# “Sixty-two years after independence, the time has come to change the outdated media laws made by the British to control the natives. If erroneous reports are published, the editor, publisher, and printer have to face the music. But the person who prepared the script and the reporter go scot-free. It falls to the lot of the editor to make trips to the court and face legal action, while at the most the defaulting reporter can be sent home by the management.

“In the early years of newspaper publication, centuries ago, the number of pages used to be one or two or a few more which the editor could read and scrutinise. But today the bulk is such that no editor can scrutinise all the text going into a newspaper.  If the journalist who wrote the offending report is also penalised, it will result in responsibility on his or her part. The frequency of erroneous reporting will also come down.”

Ganapathy also offered tips to budding journalists:

# “I became a journalist out of love for writing and it still continues. This medium does not bring in money. Money can be earned only through blackmail or yellow journalism. Students should make journalism as their career only if service is their motto, not money.

1) Develop a healthy curiosity about everything

2) Aspire for a high level of general knowledge

3) Use your common sense

4) Develop the reading habit and read vociferously

5) Develop a rich vocabulary but show restraint in how you use it

6) Be confident but do not think only you are right

7) Avoid bias in spite of having to write bitter facts

8) Evaluate yourself regularly, and

9) Learn to work as part of a team.

Text and photograph: courtesy Star of Mysore

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