Posts Tagged ‘Sudhir Tailang’

How seven cartoonists drew one TOI cartoon

27 August 2013

cartoon

As part of its dodransbicentennial celebrations, The Times of India has published “a cavalcade of cartoons over 175 years”. Titled “Jest in Time“, it is put together by Ajit Ninan, Neelabh Banerjee and Jug Suraiya.

At its launch in New Delhi on Monday, seven well-known cartoonists—Sudhir Tailang from Deccan Chronicle, Manjul from Daily News and Analysis, Keshav from The Hindu, Jayanto from Hindustan Times and R. Prasad from Mail Today—joined hands to produce a cartoon (in picture, above) on the spot.

Saira Kurup reports on the jugal bandi:

“Keshav set the tone by drawing the new common man forced to tighten his belt in difficult times. Tailang followed with an illustration showing P.V. Narasimha Rao giving his ‘student’ PM Manmohan Singh a poor report card. Manjul’s version of the common man was one who doesn’t speak but tweets instead!

“Jayanta then drew the laughs by drawing a neta with a loudspeaker as his head “because netas are not doing what they are supposed to; they just keep shouting!” To audience applause, Ninan put the artwork in context by sketching Parliament, and Banerjee gave the final touch by showing the common man holding up the House on his shoulders.”

Image: courtesy The Times of India

And so, India’s three best cartoonists are…

3 July 2012

It isn’t often that Indian cartoonists talk about their craft—or their colleagues and compatriots.

There is, for instance, a famous incident of the doyen of Indian cartooning, R.K. Laxman, being asked in the course of an interview with The Illustrated Weekly of India, about a younger cartoonist then working for the Indian Express.

Ravi Shankar? Fantastic sitarist,” was Laxman’s put-down, sotto voce.

***

Ajit Ninan, the former cartoonist of India Today and Outlook now a consultant with The Times of India, speaks about Laxman, in an interview in Star of Mysore:

Q: How would you differentiate yourself from R.K. Laxman?

A: I am a man of details and I think India is a country of details. Look at our architecture, the temples, fashion—everything has a lot of details. There is no school of cartooning and it is my seniors who helped me. I learnt by observing their works and have slept over their styles. Mario Miranda‘s details, Abu Abraham‘s simplicity of thought and Laxman’s works—something of everybody is there in my work.

However, Laxman’s cartoons had lengthy captions. I try to finish it within 10 words or even less. Almost 70% of my time goes into drafting captions.

When your drawing is so detailed, why burden it with words?

Q: Who would rank as the best Indian cartoonist?

A: R.K. Laxman—because he was a typical South Indian genius. He was a big crowd-puller and by nature he was funny, sharp and witty. Next is Mario because he brought out Indian architecture and humour, food, language, fashion through his drawings. He was a complete cartoonist and very versatile. The third would be Sudhir Tailang.

Image: courtesy Shafali

Follow

Get every new post delivered to your Inbox.

Join 7,444 other followers

%d bloggers like this: