Tag Archives: Photojournalism

Then and Now: How TOI covered the Tata change

There is a change at the top of Bombay House, the headquarters of the Tatas, and the manner in which it is covered by Bombay’s biggest media house, The Times of India, is illustrative of how much journalism has changed, and how much the way journalists look at business news has changed, in the last 20 years.

On top is the ToI news item announcing the appointment of Ratan N. Tata as the chairman, 20 Octobers ago, succeeding J.R.D. Tata. Below is today’s ToI front page, announcing the appointment of Ratan Tata’s successor, Cyrus P. Mistry.

# Then, the news of the appointment was not the lead story, it was probably second lead on columns 6,7 and 8, continued on “turn page”. Now, the news of the appointment earns lead story status. Business news is no longer anathema.

# Then, when print was king and television was not commonplace, the news of the appointment was conveyed as is in the headline. Now, with television and internet having broken the news 12 hours earlier, the lead headline is a smart pun.

# Then, the front-page picture was larger than the two tiny mugshots now. Interestingly, the 1981 picture had both the outgoing chairman and incoming chairman in one frame. Not so in the tightly controlled media atmosphere of 2011.

# Then, bylines were mostly anonymous. “By Our City Editor” was shorthand for our business editor, probably the veteran D.G. Gupte. On today’s front page, there are at least three bylines: Reeba Zacharaiah, Boby Kurien, Namrata Singh.

# Then, it was just news of the change. Now, there is plenty of backgrounding (“Why Cyrus? How he swung the vote”, “The Mistry connection”) plus a colour piece on his hobbies (“Avid golfer & foodie, avoids cocktail circuit”). Bollywood also sneaks into today’s front page with the slug “Being Cyrus”.

# Then, it was all black white, now there is a profusion of colour, although much of the colour now appears in the typography in the info-box in the absence of a good picture. Then it was just one story, now it is four stories, an infobox, two quotes and five pointers.

The Times of India‘s blanket coverage is also interesting because the paper was blacklisted twice during the outgoing chairman Ratan Tata. Once in protest at ToI’s coverage of the Tata Finance scandal, and then against the backdrop of the Niira Radia tapes, which proved to be a public relations disaster for the group.

Images: courtesy The Times of India

Also read: Why Ratan Tata hired Niira Radia

Have the Tatas blacklisted Times of India again?

Everybody loves a nice mutual admiration club

Four lessons in journalism from Tata’s chief PRO


‘Sadly, lensmen are just a cog, never the wheel’

The well-known photojournalist T.S. SATYAN was conferred the Lifetime Achievement Award for Freelance Photojournalism instituted by the Essel Group and the Zee Network, in Bangalore on Sunday. Another Mysorean, former Praja Vani editor M.B. SINGH, was also honoured similarly.

This is the full text of Satyan’s acceptance speech.


“Thank you for the honour done to me. I accept this award with great pleasure and much humility. It is very special for me because it is not a government award. It is an award conferred on a freelance photojournalist.

“I have worked for nearly sixty years and enjoyed both the ecstasy and agony of freelance photojournalism. In my own humble way, I have attempted to visually enrich the pages of many newspapers and magazines around the world, shunning the more profitable sector of commercial photography.

“My early years were difficult. I had to live on my wits and from money order to money order and later from cheque to cheque.  Unable to earn enough from pictures alone, I was forced to take up temporary jobs to supplement my income. Not many of you know that my first job, after graduation, was that of an engine-cleaner-cum-inspector at the Hindustan Aircraft factory in Bangalore, in 1944.   My boss, B.G. Karve, told me one day that I had a great future in the aeronautics industry! Thank God, I disproved his prophecy.

“I was greatly influenced and inspired by the pictures published in the Life magazine that was started in 1936. No other magazine at any period of time had such extraordinary impact on its readers. I had the wonderful opportunity of working for Life for some 15 long years. I was able to meet with and work alongside some great photographers of the world. I learnt a lot from them.

“Even today, for a large country like India, only a few photographers have made the grade and are big names. They are in demand. This is the tragedy of photojournalism in the country. It is confined to a limited circle of elite practitioners. This circle should expand as quickly as possible.

“There is a total absence of organized training facilities in photojournalism for those who want to specialize. Most of our successful photographers are self-made.  There are institutions for pure photography, not photography for journalism. Even here, those who teach have not had much practical experience. In a society which cries for information, there are not enough men and women trained in the visual media to rise to the occasion. Also, there is not much appreciation of the photographer and his work by those connected with the media in the government.

“The amazing part of print journalism is that while some editors become celebrities and an occasional reporter becomes a hero or a heroine for a day, the regular photographer hardly ever commands the limelight. It is rare for a photographer ever to be discussed at the breakfast table. Usually he is taken for granted. Rarely is he taken note of. He may be sought after, but not socially. He is rarely to be found at a celebrity dinner in his personal capacity. He is a cog in the wheel, but he is not the wheel.

“I feel disillusioned on one important count. Even top printed media houses in the country are continuing to illegally access photographs and publish them without a credit or a courtesy. Requests for clarification and payment are ignored. To be indifferent to authorship hurts photographers. These very media houses endlessly publish columns and editorials on copyright, intellectual property rights and ethical practices, but banish them in their own dealings. These unprofessional and unethical situations are agonizing and traumatic for photographers. I ardently say this, as a personal victim, so that we wake up to building healthy professional milieus in the future. I pray that tall professional and ethical standards become common pursuit for everyone in the media.

“It is the prerogative of the photographer to record the present as a reliable witness in the court of history. This is what is going to make photography a witness to the past as well as the future.

“I thank you once again for the honour bestowed on me.”


Also read: T.S. SATYAN

Cross-posted on churumuri